Miss Julie (2014 film)
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by August Strindberg
Aoife O'Sullivan
Teun Hilte
Oliver Dungey
Synnøve Hørsdal
| Miss Julie | |
|---|---|
French poster | |
| Directed by | Liv Ullmann |
| Screenplay by | Liv Ullmann |
| Based on | Miss Julie by August Strindberg |
| Produced by | Tristan Orpen Lynch Aoife O'Sullivan Teun Hilte Oliver Dungey Synnøve Hørsdal |
| Starring | Jessica Chastain Colin Farrell Samantha Morton |
| Cinematography | Mikhail Krichman |
| Edited by | Michal Leszczylowski |
Production companies | Maipo Film The Apocalypse Films Company Senorita Films Subotica |
| Distributed by |
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Release dates |
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Running time | 130 minutes |
| Countries | Norway United Kingdom Ireland France |
| Language | English |
| Budget | $5.5 million[1] |
| Box office | $1 million[2] |
Miss Julie is a 2014 period drama film written and directed by Liv Ullmann, based on the 1888 play by August Strindberg and starring Jessica Chastain, Colin Farrell and Samantha Morton.[3] Set in Ireland in this adaptation, it had its world premiere in the Special Presentations section of the 2014 Toronto International Film Festival.[4] It was a co-production of Norway, United Kingdom, Ireland, and France.
The film is set in 1890, in County Fermanagh (in what is now Northern Ireland) during the course of a single Midsummer Night. Miss Julie, the daughter of an Anglo-Irish landlord, attempts to seduce her father's peasant valet, John. The affair – overshadowed by power and class – quickly goes to some dark places.[5][6]
The movie starts with a young Miss Julie aimlessly wandering in the empty confines of her family's manor house. We hear her calling to her absent mother and walking by a babbling brook where she sees one of her dolls stuck in a tree. She lets out a snicker at the sight of the abandoned doll, and leaves the brook.
The movie jumps to Midsummer Night 1890, where the same manor is deserted, save for three individuals; Kathleen the cook (Samantha Morton), John the valet (Colin Farrell) and Miss Julie (Jessica Chastain), the Baron's daughter. Kathleen and John immediately gossip about the lady of the house, specifically how she forced John to dance with her. Kathleen and John are engaged and John doesn't fail to take pleasure in Kathleen's jealous reaction.
Miss Julie enters. Kathleen takes her leave to look after Miss Julie's suffering dog, while the young aristocrat, who appears to be in a mischievous sort of mood, traps John. The night grows stranger still, as servant and lady exchange impassioned monologues composed of lustful innuendoes and agonizing tension.
John confesses that he's been in love with her since he first laid eyes on her as a child, but the next moment sees him quick to remind her of their vastly different positions in the class system. Miss Julie is just as capricious, ordering John around like a slave, and then transforming into a damsel in distress. The back-and-forth continues, until lust overpowers them both and they end up in John's bedroom. Kathleen listens to their coupling through John's bedroom door before returning to her own bedroom and weeping inconsolably.
Back with Miss Julie, John reveals that he has never been in love with her. When they were children, John reveals that he had the same dirty thoughts about her as every other peasant boy on the estate. To Miss Julie's shock, John then unleashes an escalating barrage of verbal and emotional abuse. He calls her a whore and taunts her with the possibility that he may have gotten her pregnant. As a shattered Miss Julie falls into despair, John orders her to break into her father's desk and steal all of his money. He promises her that they will use the money to elope and start a hotel in Switzerland.
John goes to Kathleen and asks to hold each other; she rebuffs him angrily. She begins dressing John in his Sunday clothes, announcing that they are going to church together, where John will ask God for forgiveness. John pretends to agree. Kathleen expresses disgust that John has so little respect for his employers as to sleep with Miss Julie, and that Miss Julie lowered herself to sleep with him in turn. She tells him that they will be leaving the house and seeking employment elsewhere.
Returning with the money and the cage which contains her beloved pet bird, John tells her to leave it. When she refuses, Miss Julie watches in horror as John beheads her bird with a meat cleaver. Having a second breakdown, Miss Julie screams at John, telling him that she hates him and that there is blood between them now.
As Miss Julie picks up the stolen money from the floor, Kathleen arrives in her Sunday clothes. After listening to Miss Julie's monologue about eloping with John and the hotel in Switzerland, Kathleen gently explains to Miss Julie about the strength she draws from her own Christian faith. Miss Julie expresses sadness that she does not share Kathleen's faith.
Before she leaves, Kathleen lovingly urges John to come to church with her, saying gently that he can benefit from a good sermon. To Kathleen's visible distress, John refuses.
As a deeply hurt Kathleen leaves, John gives Miss Julie his straight razor and urges her to commit suicide. Hesitating, Miss Julie expresses fear of going to Hell due to her high social rank. But John replies that Miss Julie is no longer one of the first, having lost her virginity, she is now one of the last.
As John walks up the castle stairs to deliver the Baron's boots and breakfast, Miss Julie walks to the brook seen in the opening moments of the film. The last image seen before the credits is of Miss Julie lying dead by the brook with the stolen money in a bag around her neck, having slit her wrist with John's straight razor.
Production
Oliver Dungey and Teun Hilte of London-based The Apocalypse Films Company Ltd. initiated and produced the film[7], bringing in Synnøve Hørsdal of Oslo-based Maipo Film along with co-producers Tristan Orpen Lynch and Aoife O'Sullivan of Dublin-based Subotica and Rita Dagher of Paris-based Senorita Films.[8]
Filming began in April 2013. In a change of setting from the original Sweden of the play, the film was shot at Castle Coole, a late 18th-century country mansion in County Fermanagh, Northern Ireland.[9] Filming lasted for five weeks.[10] For Farrell, John was one of the hardest roles in his career due to the source material's "sustained cruelty and trauma".[10]