Most People Die on Sundays

Ankit Jhunjhunwala of Screen Anarchy called the film affecting but marred by a slow pace, writing that "there is a lugubriousness in the bones of Most People Die On Sundays, even at 75 minutes. Not enough happens and the film feels like it was padded out from a short designed to be 35-40 minutes. Lethargic filmmaking in debut features is not at all uncommon and usually dissipates in subsequent films. Said’s emotional acuity, though, and unique vantage point make him a valuable new voice in cinema."^[3]

Nicholas Bell of Ioncinema wrote that "while the mechanics of Said’s narrative are arguably familiar, it’s an interesting dissection of identities involving a gay, overweight, Jewish Argentinean of a particular age whose experiences growing up in a certain time and place have paralyzed him in a repetitive rhythm of arrested development. Exhibiting questionable behaviors, often which are self-sabotaging and prohibitive to his well being, Said brings this somewhat mournful portrait to a quietly moving grace note suggesting the silver lining of loss is a motivational reminder to the living."^[6]

• Most People Die on Sundays at IMDb