Mountain (2017 film)

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Directed byJennifer Peedom
Written byRobert Macfarlane
Jennifer Peedom
Produced byJo-Anne McGowan
Jennifer Peedom
Narrated byWillem Dafoe
Mountain
Film poster
Directed byJennifer Peedom
Written byRobert Macfarlane
Jennifer Peedom
Produced byJo-Anne McGowan
Jennifer Peedom
Narrated byWillem Dafoe
CinematographyRenan Ozturk
Edited byChristian Gazal
Scott Gray
Music byRichard Tognetti
Production
company
Distributed byAmstelfilm (Netherlands) (theatrical)
Madman Entertainment (Australia) (theatrical)
Neo Films (Greece) (theatrical)
DCM Film Distribution (Germany) (all media)
Release date
  • 12 June 2017 (2017-06-12) (Australia)
Running time
74 min.
CountryAustralia
LanguageEnglish

Mountain is a 2017 Australian documentary film, co-written, co-produced and directed by Jennifer Peedom. It premiered at the Sydney Opera House in June 2017. Mountain follows Peedom's 2015 documentary film Sherpa.[1]

The film explores high peaks around the world while telling the relationship between humans and mountains across time.

Cast

Adventure sports people:[2]

Production

After her critically acclaimed film, Sherpa,[3] producer Peedom resumes her work with American mountaineer and photographer Renan Ozturk. He is responsible for most of the images in the film. American actor Willem Dafoe narrates the film and reads passages from Robert Macfarlane's book "Mountains of the Mind".[1] The production company was Stranger Than Fiction.[4]

Critical response

On review aggregator Rotten Tomatoes, the film has an approval rating of 84% based on 68 reviews, with an average rating of 7.1/10. The website's critical consensus reads, "Mountain offers a visually thrilling – and surprisingly affecting – look at man's relationship with some of Earth's most imposing natural wonders."[5] On Metacritic, the film has a weighted average score of 82 out of 100, based on 13 critics, indicating "universal acclaim".[6]

Janine Israel from The Guardian gave the film four out of five stars and called it a "masterful documentary".[7] Gayle MacDonald from The Globe and Mail gave the film three out of four stars, praising the visual and musical feature of the film.[8] Harry Windsor from The Hollywood Reporter called it "one of the most visceral essay films ever made" thanks to the musical score and the non-traditional narrative approach, however, he criticised the length of the movie, defining it "slightly overextended".[1]

Accolades

References

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