One of his most successful folk-themed plays, "Yasin and Bahiyah," was staged by Karam Motawea in 1964 at the Masrah al-Jayb (Pocket Theatre) in Cairo. It incorporated the traditional Egyptian folk story-telling device of the sha'ir al-rababah (poet of the rababa), who plays the simple one-stringed instrument to accompany his tale. The tragic play deals with a class struggle between the oppressed peasant farmers (fellahin) of a Delta village, Bahut, who rise up against the feudal pasha (unnamed) in order variously to protect their land rights (Yasin's father), the honor of his betrothed (Yasin), and their crops from being expropriated by the Pasha's goons (the entire village). The central love story involves young fellah Yasin and his cousin Bahiyah, whose marriage plans are frustrated year after year. Yasin is finally shot and killed, and Bahiyah awaits the return of his spirit in the form of a dove or butterfly, accordingly to the folk tradition.
