Nancy Spector
From Wikipedia, the free encyclopedia
Solomon R. Guggenheim Museum
Nancy E. Spector | |
|---|---|
| Born | 1959 (age 66–67) |
| Education | Sarah Lawrence College (BA) Williams College (MA) City University of New York (MPhil) |
| Occupation | Curator |
| Employer(s) | Brooklyn Museum, Solomon R. Guggenheim Museum |
Nancy Spector is an American museum curator who has held positions at the Solomon R. Guggenheim Museum in New York City and the Brooklyn Museum.[1][2]
Spector graduated with a B.A. in Philosophy from Sarah Lawrence College in 1981. She received an M.A. from Williams College in 1984 and a Master of Philosophy degree in Art History from City University Graduate Center in 1997.[3]
Career
Spector was appointed as a Guggenheim curator in 1989.[4]
Spector was adjunct curator of the 1997 Venice Biennale and a co-curator of the first Berlin Biennale in 1998.[5] At the Deutsche Guggenheim, Berlin, she has overseen commissions by Andreas Slominski (1999), Hiroshi Sugimoto (2000), Lawrence Weiner (2000), and Gabriel Orozco (2012), as well as organized the exhibitions Douglas Gordon’s The Vanity of Allegory (2005) and All in the Present Must be Transformed: Matthew Barney and Joseph Beuys (2006).[6]
Nancy Spector was one of the curators of Monument to Now, an exhibition of the Dakis Joannou Collection, which premiered in Athens in 2004 as an official part of the Olympics program.[6]
In 2007 she was the U.S. Commissioner for the Venice Biennale, where she presented an exhibition of work by Felix Gonzalez-Torres.[5]
In 2013 she was nominated as "Deputy Director and Jennifer and David Stockman Chief Curator".[6]
In 2017, when the White House requested the loan of a Vincent van Gogh painting, from the Guggenheim collection, Landscape With Snow, Spector suggested instead, America - a sculpture of a gold toilet by Maurizio Cattelan.[7]
Guggenheim controversy
In 2019, the Guggenheim hired Chaédria LaBouvier to present her exhibition "Basquiat's Defacement: The Untold Story."[8] At the conclusion of the show, LaBouvier accused Spector and the larger institution of creating "the most racist professional experience of my life" and criticized her on social media.[9][10]
In 2020, the Guggenheim hired an external firm to investigate her claims. It ultimately found "no evidence that Ms. LaBouvier was subject to adverse treatment on the basis of her race." However, while the investigation was under way, museum employees submitted a public letter to the board, calling for them to "replace those members of the executive cabinet who have repeatedly proven that they are not committed to decisive, anti-racist action and do not act in good faith with BIPOC leaders."[11]
In October 2020, after the investigation's conclusion, Spector parted ways with the museum.[12][13] An investigative article in The Atlantic, exploring the circumstances of her departure, revealed that she was scapegoated by the museum.[14] Reflecting on the situation in 2023, the International Committee for Museums and Collections of Modern Art (CiMAM) criticized the museum, stating that Spector was "a notable museum professional with a strong track record of representing and enhancing diversity."[15]
Exhibitions
At the Solomon R. Guggenheim Museum in New York, Spector organized exhibitions and retrospectives. They include:[3][6]
- Rebecca Horn: The Inferno-Paradiso Switch (1992, with Germano Celant)
- Felix Gonzalez-Torres (1995),
- Robert Rauschenberg: Performance (1997),
- Matthew Barney's The Cremaster Cycle (2002-2003),
- Marina Abramović: Seven Easy Pieces (2005),
- Richard Prince (2007),
- Louise Bourgeois (2008),
- Tino Sehgal (2010) and
- Maurizio Cattelan: All (2011).
She also organized the group exhibitions
- Postmedia: Conceptual Photography from the Guggenheim Museum Collection (2000),
- Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections (2002),
- Singular Forms (Sometimes Repeated): Art from 1951 to the Present (2004), and
- theanyspacewhatever (2008).[3][6]
Under the Deutsche Guggenheim in Berlin, Spector initiated special commissions by Andreas Slominski in 1999, Hiroshi Sugimoto and Lawrence Weiner in 2000 as well as Gabriel Orozco in 2012.[16][6]
At the Deutsche Guggenheim Spector organized the exhibitions for[6]
- Douglas Gordon’s The Vanity of Allegory (2005) and
- All in the Present Must be Transformed: Matthew Barney and Joseph Beuys (2006).
Recognitions
- In 1992 Spector received a Cartier Foundation Grant[6]
- In 1993 Spector received the Peter Norton Family Foundation Curators Award[16][6]
- Spector won a Tribeca Film Festival Disruptive Innovation Award in 2011.[17]
- In 2014, she was named one of the top 25 most important women in the art world by Artnet.[18]
- In 2014 Forbes named Spector on the "40 Women To Watch Over 40" list.[19]
- In 2019, Spector was awarded an honorary degree by Pratt Institute.[20]
- Five of Spector's exhibitions at the Guggenheim have won International Art Critics Association Awards[6][21]
