Night Music (comic)

Russell had collaborated with Don McGregor for Marvel Comics, and the writer put him in contact with the newly-formed Eclipse Enterprises founded by brothers Dean and Jan Mullaney in 1979, following their successful publication of McGregor's graphic novel Sabre: Slow Fade of an Endangered Species. A deal was soon struck allowing Russell to publish his plans for a series of experimental adaptations through Eclipse, while retaining ownership of his submissions.^[1] A major factor was the high-quality printing method used by Eclipse for Saber.^[2]

The first piece in the series was the graphic novel Night Music 1, containing the stories "Breakdown on the Starship Remembrance" and "La Sonnambula", published in November 1979.

In 1984 Russell returned to Eclipse after working for Marvel Comics, and made plans for an ongoing series of Night Music. The series would have a highly unusual structure; while covers and promotion of the various contents would use different titles and numbering, the publisher's indicia would mark it as an edition of the ongoing Night Music series. Russell himself would also number the stories within his 'opus' system, an ongoing personal index of all his works. The first three issues followed a 36-page anthology format, while the second issue was delayed when Russell lost some of the artwork;^[3] it continued some of Russell's The Jungle Book adaptation began in Marvel Fanfare.^[2] Following this Night Music was reformatted as an umbrella title for various adaptations. Pelleas and Melisandre was promoted as a two-issue micro-series issued bi-weekly in December 1984; each issue had 36 pages and contained half of the adaptation.^[4] Salome was issued as a "one-issue micro-series",^[5] and Red Dog as a one-shot.^[6] For Ariane & Bluebeard the format changed to a 52-page one-shot,^[7] and the final adaptation for Eclipse – Mozart's The Magic Flute – consisted of a three-issue prestige format limited series.^[8]