Night Pieces

1816–1817 story collection by E. T. A. Hoffmann From Wikipedia, the free encyclopedia

Night Pieces (German: Nachtstücke) is a collection of eight stories by the Prussian writer E. T. A. Hoffmann, published in two volumes in 1816 and 1817.[1]

OriginaltitleNachtstücke
LanguageGerman
PublisherVerlag Georg Reimer [de]
Quick facts Author, Original title ...
Night Pieces
Title page of the first volume, 1816
AuthorE. T. A. Hoffmann
Original titleNachtstücke
LanguageGerman
PublisherVerlag Georg Reimer [de]
Publication date
    • September 1816 (vol.1 )
    • summer 1817 (vol. 2)
Publication placePrussia
Pages695
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Contents

First volume

  • "The Sandman" (Der Sandmann)
  • "Ignaz Denner"
  • "The Jesuit Church at Glogau [de]" (Die Jesuiterkirche in G.)
  • "The Sanctus [de]" (Das Sanctus)

Second volume

  • "The Deserted House" (Das öde Haus)
  • "The Entail [de]" (Das Majorat)
  • "The Vow [de]" (Das Gelübde)
  • "The Agate Heart [de]" (Das steinerne Herz)

Publication

Hoffmann began to work on Night Pieces in November 1815. It followed the model established with his previous collection Fantasy Pieces in Callot's Manner (1814–1815) and was presented on the title page as "published by the author of Fantasy Pieces in Callot's Manner" (German: herausgegeben von dem Verfaßer der Fantasiestücke in Callots Manier). It was published by Verlag Georg Reimer [de] in Berlin. The first volume appeared in September 1816—with 1817 printed as its year—and the second in the summer of 1817.[2]

Reception

Although Fantasy Pieces in Callot's Manner had been successful, Night Pieces was largely ignored among Germans upon the publication. The first volume received a single, negative review in Allgemeine Literatur-Zeitung and the second received no printed reviews. In private correspondences, Heinrich Voß [de] praised "The Sandman" as an inspired story but dismissed the rest of the collection for its "shudder and horror", and Johann Wolfgang von Goethe assumed it was a result of opium abuse. Night Pieces received a much more positive reception in Russia and France. Several of the individual stories eventually attracted significant analysis and "The Sandman" became one of Hoffmann's most famous works.[2]

References

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