Nijaat

Pakistani television drama serial From Wikipedia, the free encyclopedia

Nijaat (Urdu: نجات; lit.'Salvation') is a 13-episode 1993 Pakistani television drama serial produced and broadcast by Pakistan Television.[1] The drama shows the different roles of women in Pakistan. Through focusing on the lives of three women, it compares the lot of women in the rural and urban life. It emphasizes family planning, ending child labor and initiating community health reforms.[2][3]

Quick facts Genre, Written by ...
Nijaat
Opening title screen
GenreDrama, Family
Written byAsghar Nadeem Syed
Directed bySahira Kazmi
StarringAtiqa Odho
Huma Nawab
Latif Kapadia
Marina Khan
Noman Ijaz
Sajid Hasan
Durdana Butt
Country of originPakistan
Original languageUrdu
No. of episodes13
Production
ProducerSahira Kazmi
Production locationsGharo and Karachi in Pakistan
EditorNaeem Siddiqui
Original release
NetworkPTV
Release1993 (1993)
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Plot

This drama is based on the interwinding stories of three families in a town Gharo in Pakistan: Zareena, a health worker, and her family; Huzoor Bakhsh and Sajida, who has had so many children that she has very poor health; and Ali Asad, an Assistant Commissioner and his wife Tania. The drama follows their hopes and frustrations as they strive for a better future while trying to hang on to the past.[4]

Cast and characters

More information Character, Played by ...
CharacterPlayed byNotes
Huzoor BakhshNoman IjazA fox hunter and later tries to establish a shop.
SajidaAtiqa Odho[5]Housewife facing maternity and other domestic issues. She helps Tania in her handicrafts (embroidery) institute.
ZareenaHuma NawabNurse at the local clinic
Ali AsadSajid HasanAssistant Commissioner of the Tehsil. Before coming to the town, he was a medical doctor.
AkramKhawaja AkmalP.A to Assistant Commissioner.
TaniaMarina KhanWife of Assistant Commissioner. Previously, she was a model.
Jivan/MakhdoomLatif KapadiaFather of three children, including Zareena. Seen as a character with no consideration of his family. He tried to marry young Kulsoom, in exchange for his daughter Razia for Qadir Baksh.
Qadir BakhshYousuf Ali[6]Brother of Huzoor Bakhsh. He came from Dubai. He helps set up a shop for his brother. He was involved in criminal smuggling including child smuggling. Typical man who likes to boast and share his good times with his people.
Masi TaqdeeraSalma ZafarMatch-maker and midwife
Ustad PardesiMalik AnokhaOwner of the local hotel
ShafqatDurdana ButtShe is called Aapa.
Zehra KhatoonRehana AkhtarReligious preacher
KashiSajjad HassanSon of Huzoor Bakhsh. He tries to flee for the city. He is kidnapped by a criminal mafia in the city which trains him to pick pockets. Later, he ends up on the Qadir Bakhsh's boat with many other children, who are being smuggled to the Middle East.
TaariEmad HassanSon of Huzoor Bakhsh
KulsoomQurat Ul AinSister of Huzoor Bakhsh
RaziaAisha SaqibDaughter of Jivan
Master Khadim Hussain BaharNisar QadriTeacher at the local school.
RasheedNaeem SiddiquiCompounder (pharmacist) at the local clinic.
Sansi BabaYaqoob ZakriaA nomad Sansi skinning and drying hunted foxes.
LuchmiNajma AliDaughter of Sansi Baba
Nabeel NoorNanhaSon of Jivan and friend of Kashi.
Baalla Dubai WalaAamir AliInvolved in child trafficking.
Saith RazzaqSultan JilaniAarhti
SarmadAslam LatarLabour union leader
MaulviTariq TirmaziCustodian of a local Madrasa.
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Music

The background score is composed by Arshad Mehmood. The drama features the following songs:

More information No., Title ...
Track listing
No.TitleLyricsSinger(s)Length
1."Mera dard naghma-e-bay-sada"Faiz Ahmad FaizNayyara Noor 
2."Zard mitti ki aghosh mein[7]" Tina Sani 
3."Dekhte hi dekhte hamein pyar hua" Alamgir 
4."Phool barsein pyar ki raahon main" Alamgir 
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Social Impact

A study was undertaken to evaluate the social impact of this drama on contract to Johns Hopkins University/Population Communication Services (JHU/PCS) by Aftab Associates (Pvt.) Ltd., Lahore, Pakistan. The support for this study was provided by International Development Research Center (IDRC), Canada.[8] The usefulness of findings from qualitative evaluations of 'Nijaat' (and Alang-Alang in Indonesia) has led to further collaborations between JHU/PCS and filmmakers.[9][10]

References

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