Nooru Saami
2026 film directed by Sasi
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Nooru Saami (transl. Hundred gods) is a 2026 Indian Tamil-language drama film written and directed by Sasi. Based on a true story, the film stars Vijay Antony, Swasika, Ajay Dhishan, and Sakthi. It was released on 19 June 2026.[1]
Mohan Rajan
Swasika
Ajay Dhishan
Sakthi
| Nooru Saami | |
|---|---|
 Theatrical release poster | |
| Directed by | Sasi |
| Written by | Sasi Mohan Rajan |
| Produced by | Fatima Vijay Antony |
| Starring | Vijay Antony Swasika Ajay Dhishan Sakthi |
| Cinematography | Darshan Kirlosh |
| Edited by | Harish Yuvaraj |
| Music by | Balaji Sriram |
Production companies | Vijay Antony Film Corporation Sarvanth Ram Creations |
Release date |
|
| Country | India |
| Language | Tamil |
Cast
- Vijay Antony as Ezhumalai
- Swasika as Selvi
- Ajay Dhishan as Bhasker
- Lijomol Jose as Angela Sister
- Karunas as Selvi's brother
- Sakthi as Vivek
- Kavya Anil as Vandhana
- Balaji Sakthivel as Pachaiperumal
- Aruldoss as School Teacher
- Munishkanth as Police Inspector
- Padini Kumar as Sandhya (Vivek's love interest)
- Jenson Dhivakar
- Bagavathi Perumal as Vandhana's father
- Vinodhini Vaidyanathan as Vandhana's mother
- Thamarai
- Kodangi Vadivelu
- Muthualagi
- Saratha
- Sabitha Roy
- Abinaya
- Moorthy
- Subramaniam Siva
Production
The film's title is derived from a song from Pichaikkaran (2016), also starring Antony. While Antony's nephew Ajay Dhishan plays a major role, Antony volunteered to play Elumalai despite the character's limited screen time.[2]
Music
Reception
Abhinav Subramanian of The Times of India said, "there have been enough interchangeable village dramas this year to lose count, and this one sticks, largely because it stays entertaining and trusts you to feel its weight without being told to."[4] Srinivasa Ramanujam of The Hindu said, "What starts with much promise slowly veers into melodramatic territory. The dialogues hit home hard, but a lot of them are too literal and almost take the audience for granted."[5] Avinash Ramachandran of Cinema Express said, "The film constantly puts society under the scanner and shows how tough it is for a single woman in a world that conveniently sees her as a mother when required, and an 'available woman' during other times."[6]