Nouri Bouzid
From Wikipedia, the free encyclopedia
Nouri Bouzid | |
|---|---|
| نوري بوزيد | |
 | |
| Born | 1945 (age 80–81) |
| Occupations | Film director, screenwriter |
| Years active | 1986–2019 |
| Children | Leyla Bouzid |
| Awards | Tanit d'or (1986, 2006) Ibn Rushd Prize for Freedom of Thought (2007) |
Nouri Bouzid (نوري بوزيد; born 1945) is a Tunisian film director and screenwriter, widely regarded as Tunisia's most prominent filmmaker and a pioneering figure in Maghreb cinema.[1] Known for his unflinching exploration of taboo subjects in Arab society—including child sexual abuse, male prostitution, political repression, and religious extremism—Bouzid has directed nine feature films between 1986 and 2019.[2]
His directorial debut Man of Ashes (1986) was selected for the Un Certain Regard section of the 1986 Cannes Film Festival[3] and won the Tanit d'or at the Journées cinématographiques de Carthage. His film Golden Horseshoes was screened in the same Cannes section in 1989.[4] In addition to directing, Bouzid is a prolific screenwriter who has contributed to several landmark Tunisian films by other directors, and he is also a published poet.[5]
Bouzid was born in 1945 in Sfax, Tunisia.[2] From 1968 to 1972, he studied filmmaking at the Institut National Supérieur des Arts du Spectacle (INSAS) in Brussels, graduating with a short film titled Duel (1972).[6]
Career
Imprisonment and early work
Returning to Tunisia after his studies, Bouzid briefly worked for Tunisian television from 1972 to 1973. He was then arrested and imprisoned for over five years, from 1973 to 1979, for his membership in the radical political organisation GEAST (Groupe d'Études et d'Action Socialiste Tunisien).[6][7]
After his release in 1979, Bouzid re-entered the film industry as an assistant director on various Tunisian and international productions filming in Tunisia. His credits in this capacity included Pasquale Festa Campanile's The Thief (1979), Steven Spielberg's Raiders of the Lost Ark (1981), and the television film The Key to Rebecca (1985).[6]
Directing career
In 1986, Bouzid made his feature directorial debut with Man of Ashes (Rih essed), the story of a young man who recalls the sexual trauma of his childhood just before his wedding. The film was selected for the Un Certain Regard section at the 1986 Cannes Film Festival[3] and won the Tanit d'or, the top prize at the Journées cinématographiques de Carthage. The film attracted approximately 300,000 viewers in Tunisian cinemas.[1] His next film, Golden Horseshoes (Les Sabots en or, 1989), was also selected for Un Certain Regard at Cannes[4] and drew 350,000 domestic viewers.[1][8]
In 1991, Bouzid contributed to the omnibus film The Gulf War... and After? (La Guerre du Golfe... et après ?), a collective response by Arab filmmakers to the Gulf War. His 1992 film Bezness addressed male prostitution within Tunisia's tourist industry; the lead role was played by Abdellatif Kechiche, who would later become a celebrated director in his own right.[1] Bouzid followed this with Bent Familia (Tunisiennes, 1997), which explored women's friendships and resistance to patriarchal constraints in contemporary Tunisian society. Clay Dolls (Poupées d'argile, 2002) examined the exploitative domestic servitude of young rural women.
His 2006 film Making Of tackled the subject of Islamist radicalisation and suicide bombing, winning the Tanit d'or at the 2006 Carthage Film Festival. Millefeuille (2012) continued to explore women's issues in Tunisian society,[9] and his most recent feature, The Scarecrows (Les Épouvantails, 2019), won the Special Human Rights Award at the 76th Venice International Film Festival.[10]
Screenwriting for other directors
In addition to his own films, Bouzid has worked as a screenwriter and dialogue writer on several acclaimed Tunisian productions. He contributed to Férid Boughedir's Halfaouine: Boy of the Terraces (1990) and A Summer in La Goulette (1996), Moncef Dhouib's Le Sultan de la médina (1992), and Moufida Tlatli's The Silences of the Palace (1994) and The Season of Men (2000).[5][1] He also appeared as an actor in Dhouib's La télé arrive and in Franco Rossi's television film Un bambino di nome Gesù.
Teaching
In 1994, Bouzid founded EDAC (L'École des Arts et du Cinéma), a film school in Tunis, where he has continued to teach.[11]
Political activism and assault
Bouzid has been described as a fierce defender of individual liberties.[12] On 9 April 2011, in the aftermath of the Tunisian revolution, he was attacked and struck on the head by an unidentified assailant. Bouzid attributed the assault to his public positions in favour of secularism and against the culture of takfir.[13][14]
Personal life
He is the father of filmmaker Leyla Bouzid, whose debut feature As I Open My Eyes (2015) premiered at the Venice Film Festival.[15]
Filmography
As director
- Man of Ashes (L'Homme de cendres, 1986)
- Golden Horseshoes (Les Sabots en or, 1989)
- The Gulf War... and After? (La Guerre du Golfe... et après ?, 1991)
- Bezness (1992)
- Bent Familia (Tunisiennes, 1997)
- Clay Dolls (Poupées d'argile, 2002)
- Making Of (2006)
- Millefeuille (2012)
- The Scarecrows (Les Épouvantails, 2019)
As screenwriter
- Halfaouine: Boy of the Terraces (1990, directed by Férid Boughedir)
- Le Sultan de la médina (1992, directed by Moncef Dhouib)
- The Silences of the Palace (1994, directed by Moufida Tlatli)
- A Summer in La Goulette (1996, directed by Férid Boughedir)
- The Season of Men (2000, directed by Moufida Tlatli)
Awards and honours
- Tanit d'or, Journées cinématographiques de Carthage, for Man of Ashes (1986)
- Tunisian Presidential Prize of Cinema (1998)[5]
- Commander of the National Order of Merit (Tunisia, 1999)[16]
- Tanit d'or, Journées cinématographiques de Carthage, for Making Of (2006)
- Ibn Rushd Prize for Freedom of Thought (2007)[17]
- Officer of the Ordre des Arts et des Lettres (France, 2009)[18][19]
- Knight of the Legion of Honour (France, 2013)[20]
- Special Human Rights Award, Venice Film Festival, for The Scarecrows (2019)[10]
