Opus Maximum
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The Opus Maximum was a set of philosophical manuscripts dictated by Samuel Taylor Coleridge to his friend and colleague, Dr Joseph Henry Green, between 1819 and 1823. It was not published in Coleridge's lifetime, finally emerging in the 2002 version edited by Thomas McFarland with the assistance of Nicholas Halmi.[1]
It is not entirely clear what form the book would have taken if Coleridge had published it. He died before he could assemble the various manuscripts and other notes into a publishable form, and the published volume contains four 'fragments' along with two appendixes and evidence of missing chapters.[2] It should be read in conjunction with the separately published Logic, since that volume completes the transcendental deduction which lies at the heart of the enterprise.[3]
It was also intended to form part of a larger Magnum Opus or Logosophia, of which parts exist in various manuscripts.[4] Mary Anne Perkins has set out the dimensions of that larger project in her Coleridge's Philosophy.[5]
Coleridge had intended his disciple, Green, to publish the Opus Maximum after Coleridge's death but Green failed to do this, instead publishing his own work, Spiritual Philosophy; Founded on the Teaching of the Late Samuel Taylor Coleridge. Green's work began by claiming that the distinction between the Reason and the Understanding was merely one of degree—a claim which showed that Green had not understood Coleridge's most fundamental distinction.[6] Green's failure to publish the Opus Maximum caused some controversy in the 1850s.[7] Green argued that the manuscripts were incomplete and 'scarcely adapted for scientific readers, ... or the requirements of modern science',[8] though Green's decision also prevented Coleridge's followers, immediate and future, from understanding his philosophical system—and the advances Coleridge had made following the failure of the Biographia Literaria to provide a systematic argument.[9]
The volume's eventual publication was also protracted, something explained in part by Thomas McFarland's claim to have taken longer not editing the book than Coleridge had spent not writing it.[10]
The long delay in the publication led to the myth that Coleridge's philosophical system was a will-o-the-wisp, yet another of Coleridge's projects announced but never put to paper.