Os Kiezos
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Conj. Os Kiezos | |
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Standing Up (Left to Right) : Juventino, Marito, Fausto Lemos and Vate Costa
Crouched (Left to Right) : Hélder Leite, Adolfo Coelho and Kituxi | |
| Background information | |
| Also known as | Grupo Semba, Grupo Dipanda and Conjunto N’Gola |
| Origin | Kapolo Boxi, Marçal, Luanda, Angola |
| Genres | |
| Instruments | Dikanza, Congas, Bongos, Claves, Tambourine, Cowbell, Acoustic Guitar, Electric Guitar, Electric Bass, Organ, Trumpet, Saxophone and Trombone |
| Years active | 1963–1980, 1983–present |
| Labels |
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| Members |
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| Past members |
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Os Kiezos is the name of a musical ensemble (conjunto) that emerged in 1963 in Marçal, a neighbourhood of Luanda. Known particularly within the genre of semba and Latin music like merengue, rumba and bolero.[1] Os Kiezos are considered to be one of the most influential musical groups from Angola.[2][1]
In 1963, more precisely during the month of November, Domingos António Miguel da Silva "Kituxe" gathered three his friends and neighbours, namely, Mário Anselmo "Marito" de Sousa Arcanjo, Juventino "Tininho" Sousa Arcanjo and José "Avozinho" Francisco Portugal, who were all about 12 to 16 years of age, to make music. This group of young friends went on to make music together for a couple of months.
The name “Os Kiezos” first appeared in 1965, in the context of a party in Rua B3, Rangel, more precisely, in Bairro Nelito Soares, where a gathering of young musicians who would later become Kiezos, had not been invited. The fact is that the intruders livened up the party so much that dust rose up in the yard as a result of the dancers' frenetic animation, a situation that led to the association of the effect caused by the dust with the sweep of a broom. Hence the name “Os Kiezos” given by the public, because in Kimbundu, the word “kiezu” roughly translates to the word “broom” in English.[3][4]
Once the young group of musicians now known locally as "Os Kiezos" became known within their neighbourhood, they got the support of an entrepreneur, Bonzela Franco, who would watch them play in the streets on a daily basis.
Adolfo Coelho, who at the time was 18, slightly older than the member of Os Kiezos, was inspired at the sight of young people playing music and later introduced Kituxi, Tininho, Marito, and Avozinho to Costa Venâncio, who crafted guitars from wood sourced from a place called Panga-Panga. They began rehearsing at Kituxi's mother's house, fostering hopes of becoming the musical group they aspired to be.[5]
For a long time, they watched the rehearsals of Ngola Ritmos of Liceu Vieira Dias, where Kituxi said that Marito had sent some members of the group to find a guitarist who was from the Vieira Dias family. This was and still is a family popularly considered a family of excellence in politics and art[by whom?]; having as references: Liceu Vieira Dias, Carlitos Vieira Dias (son of Liceu who at the time was already playing in Negoleiros as a bassist), Ruy Mingas, Saidy Mingas etc… This attempt by the scout Marito meant that they found Humberto Vieira Dias there who became an acquaintance of the group and joined as guitarist and later became the group’s bassist.[6]
Fausto Lemos, a percussionist who had already had experience playing various types of drums in small music groups for children called "turmas", joined the group to replace Kituxi as the main percussionist.
Their persistence in pursuing a musical career paid off. They gained recognition during a performance at Dona Malha's venue, catching the attention of Duia, a guitarist from Os Gingas. A this point only Adolfo Coelho, Marito, Juventino, Fausto lemos, Kituxi and Humberto Vieira Dias remained in the group. This marked the beginning of their rise to fame.

At an attempt to join Kutonoca, which was a popular set of events promoted by the CITA (Centro de Informação e Turismo de Angola) that was held in the most populous boroughs of suburban Luanda and hosted the best and most famous artists at that time like Negoleiros do Ritmo, Aguias Reais, Elias dia Kimuezo, Os Gingas etc... they faced resistance from Luis Montez, the show's owner.[7][8] The rejection led some members to doubt the project, as their supplier, Ti Makoi, had given them limited resources.[9] From there, they entered a new phase where they aimed to be more conscious and prepared, in order to get the opportunity to perform at the Kutonoca.
Os Kiezos went on to perform at various venues in Luanda, such as Luar das Rosas da Brigada, Sêngula, Salão da Dona Malha, Braguês, Kudissanga... Marito had started to get connections more and more people so Os Kiezos’ presence in backyard parties grew. Seeking a brighter future, they acquired their first set of sound equipment from Ti Makoi and participated in a radio program, earning 350 escudos.[9]






