Paik's work often makes readers feel uncomfortable, as in the case of his debut story which begins with a detailed description of filleting a flounder and then progresses to a portrayal of the narrator having intercourse with a girl from a hostess bar while imagining the inside of his mother’s womb. “When the Pear Blossoms Fade” describes the shocking abuse of children and the handicapped. In “Welcome, Baby” a young child watches a middle-aged couple have intercourse from inside a motel room closet, an infant without eyes or ears is abandoned, and a man tries to hang himself from a fan. In “Here Comes Cricket,” an aged mother who is beaten by her own son plans to end both their lives through joint suicide and “Dress Shoes” features a father who kills his entire family and then takes his own life. Although these ruthless stories fill readers with much discomfort, they are not too far-fetched, for the newspapers, television, and the Internet are full of stories like these.[5] Baek Ga-heum's “The Tomb of a Ship” describes blood-curdling crime in a small port town. The return of a
photo criminal past the statute of limitations to his hometown results in vengeful violence and murder, a subversion of dichotomy between good and evil.[6]
Paik's characters tend to the neglected and marginalized—those who are both socially and economically on the bottom rung of society: prostitutes, itinerant manual laborers, sailors running from the law, the mentally and physically handicapped, the elderly homeless living in condemned buildings, and women who are physically and sexually abused. A great number of these characters suffer from speech disorders or lack the mental capacity to recognize the gravity of the situation; the few who do realize their dire circumstances are without the proper education to articulate themselves.[7]
