Parai Aag

1948 Indian film From Wikipedia, the free encyclopedia

Parai Aag is a 1948 Indian Hindi-language film, produced by M. K. Ahmad under the banner of Great India Pictures, and directed by Najam Naqvi.[1] It stars Munawar Sultana and Madhubala. The soundtrack features songs composed by Ghulam Mohammed, with lyrics by Tanvir Naqvi.[1]

Directed byNajam Naqvi
Produced byM. K. Ahmad
Great India Pictures
Quick facts Directed by, Produced by ...
Parai Aag
Directed byNajam Naqvi
Produced byM. K. Ahmad
Great India Pictures
StarringMunawar Sultana
Madhubala
Music byGhulam Mohammed
Release date
  • August 20, 1948 (1948-08-20)
CountryIndia
LanguageHindi
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Parai Aag was one of the earliest films featuring Madhubala, before she became a star with Mahal (1949).[2][3]

Cast

According to Asian Film Directory And Whos Who (1952):[4]

Production

The production of Parai Aag reportedly began in February 1948.[5]

The film's distribution rights for Pakistan were acquired by Mis. Evershine Pictures of Lahore.[5]

Soundtrack

The music of the film was composed by Ghulam Mohammed, with lyrics penned by Tanvir Naqvi and Akhtar ul Iman.[1]

More information No., Title ...
No.TitleLyricsSinger(s)
1"Man Geet Suhane Gaye Kyon"Tanveer NaqviZohrabai Ambalewali
2"Kuch Bhi Na Kaha Aur Keh Bhi Gaye"Tanveer NaqviHameeda Bano
3"Nigahen Milane Ko Jee Chahata Hai"Tanveer NaqviMohammed Rafi
4"Kaun Tere Man Bhaya Kisne Hai Tumko Apnaya"Tanveer NaqviHameeda Bano
5"Tohe Kaise Dikhaoon Dil Cheer Ke"Akhtar ul ImanZohrabai, Naseem Akhtar
6"Bhool Ja Vo Pyaar Ke Rangeen Fasane Bhool Ja"Tanveer NaqviHameeda Bano
7"Kisse Kahen Ki Kaun Hamare Chale Gaye"Tanveer NaqviZohrabai
8"Ae Dil Jahaan Mein Tera Thikana Koi Nahin"Akhtar ul ImanZohrabai
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Reception

Parai Aag was released on 20 August 1948 in Lamington Talkies.

A contemporary review by Baburao Patel described the film as "tolerably entertaining" but logically flawed. While praising Madhubala's and A. Shah's performances, and the "witty" dialogue of the first half, the critic panned the casting of Ulhas and the repetitive nature of the film's later social messaging.[6]

References

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