Paris 1919 (song)

In 2006, a reissue of Paris 1919 was released, featuring bonus tracks – rehearsals and alternate versions, and a hidden track (an instrumental of "Macbeth"). "Paris 1919" received two alternate versions, a string mix and a piano mix. The string mix replaced all the instruments with string instruments. It lasts 22 seconds longer. The piano mix on the other hand lasts a full 2 minutes and 2 seconds longer. It replaces all of the instruments with pianos. The song cuts off at the 4:22 mark and the remaining 1:47 is just silence.

Following Paris 1919's release in 1973, the reviews were mostly favourable. Rolling Stone compares "Paris 1919" to Harry Nilsson's "Mourning Glory Story".^[5]

Let It Rock said the song, "begins with urgent cello cross-rhythms to tell the tale of a female ghost appearing out of a clock at irregular intervals, then erupts into a chorus of 'you're a ghost/La la la la/I'm the church and I've come/To claim you with my iron drum' which is weirdly reminiscent of the Bee Gees' "New York Mining Disaster". The possibility of plagiarism doesn't arise because Cale is deliberately dealing with bizarre juxtapositions."^[6]

Musikexpress named it the 351st greatest song of all time, calling it "lyrically demanding, melodically complex, kitsch-free baroque pop of the highest quality".^[1]