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Parwaaz Hai Junoon

2017 Pakistani film by Haseeb Hassan From Wikipedia, the free encyclopedia

Parwaaz Hai Junoon (Urdu: پرواز ہے جنون; lit: Soaring is Passion) is a 2018 Pakistani aerial combat-war romantic film, directed by Haseeb Hassan (in his directorial debut), produced by Momina Duraid and written by Farhat Ishtiaq. The film features an ensemble cast of Hamza Ali Abbasi, Ahad Raza Mir, Hania Aamir, Kubra Khan, Alamdar Khan, Marina Khan, Shamoon Abbasi, Adnan Jaffar, Shaz Khan, Shafaat Ali, and Mustafa Changazi in pivotal roles. Earlier, Osman Khalid Butt was also a part of the film but had to withdraw as the film's shoot schedule clashed with his promotions for Balu Mahi.[7][8] The film is a tribute to Pakistan Air Force.[9]

Directed byHaseeb Hassan
Written byFarhat Ishtiaq
Produced byMomina Duraid
Starring
Quick facts Directed by, Written by ...
Parwaaz Hai Junoon
Film poster
Directed byHaseeb Hassan
Written byFarhat Ishtiaq
Produced byMomina Duraid
Starring
CinematographyKaka Tong
Salman Razzak
Farhan Hafeez
Production
company
Distributed byHum Films
Release date
Running time
130 min[3]
CountryPakistan
LanguagesUrdu
English
BudgetRs. 12 crore (US$430,000)[4]
Box officeRs. 43.25 crore (US$1.5 million)[4][5][6]
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It was released on Eid al-Adha, 24 August 2018, under Momina & Duraid Films and was distributed by Hum Films.[2][10] It is the seventh-highest-grossing Pakistani film of all time.

Plot

In the picturesque mountainsides on the outskirts of Islamabad, Pakistan, Sania (Hania Amir) finds solace in watching PAF jets soar through the skies. The narrative opens with an intense dogfight between PAF JF-17s, piloted by Hamza Haider Ali (Hamza Ali Abbasi) and Nadir Kirmani (Shaz Khan), and enemy Mirage 2000s infiltrating Pakistani airspace. Hamza’s daring manoeuvres lead to victory and, despite being reprimanded for taking dangerous risks, he draws inspiration from the legacy of Squadron Leader Sarfaraz Ahmed Rafique.

A group of aspiring PAF fighter pilots, including Saad Khan (Ahad Raza Mir), Rashid Minhas Yousufzai (Sikander Vincent Khan Yousafzai), Zaid Ali (Shafaat Ali), Shamir Hamid, and female cadets Sania and Ujala, begin their journey at the PAF Academy. Sania faces scepticism because of her physical attributes, but her unwavering love for Pakistan earns her a place. The diverse group undergoes rigorous training, marked by humorous encounters and Saad’s initial arrogance, particularly towards Sania and the female cadets.

Meanwhile, Hamza, while preparing for Nadir’s wedding to Fiza, Sania’s cousin, meets Sania. Their playful interactions gradually blossom into a romance, with motorcycle rides and tea in the mountains becoming cherished moments for them both. Hamza’s commitment to serving as a fighter pilot, like his father before him, sparks playful banter about choosing between love and duty. As terrorist attacks increase, Hamza and Nadir are selected for critical bombing missions against Taliban militants.

Back at the academy, Saad’s jealousy intensifies, particularly as Rashid continues to excel. Zaid leaves the Air Force, emotionally affecting his friends. Sania faces numerous challenges, with Saad occasionally mocking her while also offering genuine advice. The plot takes a poignant turn when Hamza’s marriage plans encounter parental opposition, leading to a life-altering decision.

A Taliban attack near civilians prompts Hamza to carry out a heroic low-altitude strike, resulting in critical injuries and his eventual martyrdom. Hamza’s father, initially dismissive, undergoes a transformation after meeting Sania at Hamza’s grave. The narrative reveals that Sania’s journey, driven by both patriotism and her relationship with Hamza, had always been intertwined with fulfilling Hamza’s dream.

In the present day, Saad confronts his misplaced jealousy and learns about Rashid’s fiancée, Sherbatgul. Realising the baselessness of his fears, Saad apologises, and a humorous dinner scene follows. At the graduation ceremony, Sania, Saad, and Rashid receive honours, with senior officers, including a decorated Nadir, in attendance. The film concludes with Sania finding peace in the mountains while reminiscing about Hamza, alongside a hopeful scene of Saad and Sania, now flying JF-17s, hinting at a possible romance. The final vision of Hamza’s spirit saluting encapsulates the enduring impact of their journey.

Cast

Special appearance

Production

Development and casting

According to director of media affairs PAF Syed Mohammad Ali and Momina Duraid, the film is intended to be a tribute to Pakistan Air Force with stories inspired from real life.[11][12] Duraid also announced that all of the major earnings from the film will be donated to PAF funds.[13] The casting of Hamza Ali Abbasi and Osman Khalid Butt was announced at the launch event of the film, with real-life members of the Pakistan Air Force comprising the rest of the cast.[12][13][14] Few days later Osman had to withdraw as the film's shoot schedule clashed with his promotions for Balu Mahi and was replaced by Ahad Raza Mir.[7] Farhat Ishtiaq wrote the film's script.[11] The final cast includes Hamza Ali Abbasi, Ahad Raza Mir, Kubra Khan, Hania Aamir, Shaz Khan, Marina Khan and Shamoon Abbasi.[7][15]

Filming

In an Interview to Daily Pakistan, Hamza Ali Abbasi confirmed that much of the filming was done at various places in Pakistan such as cities which included Saidpur, Murree, Sargodha and Lahore, as well as Karachi.[16] The director Haseeb Hassan also revealed that some parts of the film were shot on K2 and the Karakoram Highway.[17]

Release

Two separate teasers of the film was released, first teaser, featuring Hamza Ali Abbasi and Shaz Khan was released on 19 April 2018,[18] while the second teaser featuring Ahad Raza Mir and Hania Amir was released on 23 April 2018.[19] The trailer of the film was released on 6 July 2018.[20] Initially, the film was set to release on Eid al-Fitr 2018, but due to the limited screens available, it was postponed until Eid al-Adha 2018.[21] After the delay, the film was released on Eid al-Adha worldwide, 22 August 2018.[1][2] It had a premiere event in London on the same day,[22] after previous premieres were cancelled due to some issues with Central Board of Film Censors.[23][24] It is the second Pakistani film after Parchi which is screened in Saudi Arabia and the first in China after forty years.[25]

Box office

Parwaaz Hai Junoon opened to a good response on the first day of its release and managed to collect Rs. 1.79 crore despite massive clash at the local box office. The film also collected Rs. 34 lac Internationally, taking its first day total collection to Rs. 2.132 crores.[26] Worldwide figures after two days were around Rs. 5.45 crore after collecting Rs. 2.66 crore and Rs. 66 lac from local box office and from overseas markets respectively on second day.[27] On its third day of release, it grossed around Rs. 2.43 crores from Pakistan and Rs. 86 lac from international markets respectively, bringing the total nett collections to Rs. 8.74 crores.[28] Film grossed Rs. 12.684 crores worldwide, after four days of its release.[29] Film's global nett gross after one week was around Rs. 18.18 crores.[30] Within second week of release, it collected Rs. 21.11 crores at local box office, breaking the record of Teefa in Trouble and Punjab Nahi Jaungi of fastest to Rs. 200 crores locally.[31] After ten days, It collected Rs. 28.12 crores at global box office.[32] It collected Rs. 360.2 crore locally until the end of 2018.[4] After its release in China in November 2020, the film collected US$248,000 there lifetime.[33][5][6]

Critical response

Shahjehan Saleem of Something Haute rated the film 2.5 stars out of 5 and said, "despite having major problems script-wise, the film is extremely strong in its aesthetics and acting skills".[34]

Omair Alavi rated the film 3 out of 5 stars and wrote to Brandsynario, "It is shot like a TV drama and comes out as one too, despite some very attractive aerial shots where cadets train and pilots unleash their weapons on enemies".[35] Hamza Shafique of Dubai Desi rated the film 3.5 out of 5 stars and wrote, "Overall a very well made, performed and directed product which suffers only from it's [sic] TV drama serial style screenplay and story telling. The performances by the principle cast [sic] and the infused patriotism through brilliantly shot Pakistan Air force sequences never let you get bored but doesn't excite you either".[citation needed] The editor of Oye yeah gave a somewhat positive review and praised the direction and marked, " as a film PHJ has little novelty to offer. The recipe has been over been oversold. The changing the sides didn’t much of a difference.It’s a story we have heard before, wanting us to shed tears we have shed before!".[36] Asjad Khan of HIP gave a positive review but criticised the script and praised the performances.[37]

Hamna Zubair of Images Dawn gave a mixed review and wrote "PHJ may leave the audience with renewed respect for the air force but as a viewer, you may only truly enjoy its silly bits, and that's troubling for a film that's not a comedy".[38]

Accolades

More information Ceremony, Won ...
Ceremony Won Nominated
18th Lux Style Awards
[39]
Atif Aslam for "Thaam Lo" – Best Playback Singer Haseeb Hassan – Best Director
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Soundtrack

All lyrics are written by Shakeel Sohail; all music is composed by Azaan Sami khan.

More information No., Title ...
No.TitleSinger(s)Length
1."Bhulleya"Mustehsan Khan2:53
2."Thaam Lo"Atif Aslam 
3."Naache Re"Zeb Bangash, Jabar Abbas4:18
4."Main Urra"Shuja Haider3:43
5."Aik Hai"Shahid Amin4:41
6."Musafir"Farhan Saeed, Zenab Fatimah Sultan4:00
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See also

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