Paul B. Moses

Moses was born on December 9, 1929, in Ardmore, Pennsylvania, to Paul S. Moses, a house painter, and Annie Moses, a laundry worker. He graduated from Lower Merion High School in 1947.^[1] He enrolled at Haverford College as one of its first African American students in 1948. He endured racism at Haverford, living at home as a freshman because white students refused to room with him. He developed a passion for art and art history and became a protégé of art collector and philanthropist Albert C. Barnes, founder of the Barnes Foundation, which awarded Moses a scholarship that enabled him to study abroad at the Sorbonne and the École du Louvre during his junior year. Barnes wrote letters of introduction to French curators and collectors on his protégé's behalf. Moses graduated magna cum laude from Haverford in 1951.^[2]

Moses served as a private in the United States Army from 1952 to 1954, serving as an army interpreter in France. After completing his military service, he taught briefly at the Barnes Foundation, Lincoln University and Oakwood Friends School^[3] before teaching at the American Overseas School of Rome from 1957 to 1959. While in Italy, Moses appeared as an extra in the 1959 film Ben-Hur, playing a Roman soldier opposite actor Charlton Heston. His time in France and Italy gained him fluency in French and Italian. Returning stateside in 1959, Moses completed a master's degree in fine arts at Harvard University and worked as a teaching fellow while pursuing his PhD. His dissertation focused on the etchings and monotypes of French Impressionist Edgar Degas.^[2][4]

Moses moved to Hyde Park, Chicago, and became an instructor in the Department of Art at the University of Chicago in the fall of 1962. He taught courses on 19th-century French prints and French Impressionism along with other classes in the humanities. He caused a stir when he refused to teach The Adventures of Huckleberry Finn because of the novel's treatment of race, which he saw as diminishing to Black people. Liked and respected by his fellow faculty, Moses was promoted to the rank of assistant professor of Art and the Humanities in November 1964, becoming one of only a handful of Black faculty at the University of Chicago.^[2]

In December 1963, Arts et Métiers Graphiques invited Moses to publish a major catalogue raisonné of Edgar Degas. In 1964, he curated an exhibition of Degas's prints at the Renaissance Society in Chicago. He received a prestigious Whitney Foundation grant to conduct research in France in 1963 and received an Inland Steel Faculty Fellowship in 1964. Regularly in demand as a lecturer and jurist for art shows, "he appears to have often been the only Black person in attendance at these events," reflecting his trailblazing role in the art world in Chicago and beyond. He also published reviews in the arts section of the Chicago Daily News. Throughout his life, Moses sketched and painted, especially landscapes inspired by the Impressionist artists he studied. He also collected art, especially French Impressionist art, including a monotype attributed to Camille Pissarro and prints by Honoré Daumier.^[2]