Paul Lewis Anderson

Anderson was born in Trenton, New Jersey. He attended Lehigh University, where he was a member of the gymnastics team, specializing in the flying rings. He graduated in 1901 and worked in electrical engineering before taking up photography in 1907.^[1] He was influenced by the photographs in the magazine Camera Work. In 1910 he started working as a professional photographer. A self-taught photographer, Anderson worked within the mainstream pictorialist aesthetic of his day. Yet at the same time, drawing upon his engineering background, he applied a methodical and experimental approach within his creative process in order to advance his artistic ideals.^[2] Anderson was close friends with Karl Struss, whose positive meniscus Struss Pictorial Lens he favored.

In 1910, Anderson married Mary Lyon Green, with whom he had two daughters, born in 1912 and 1916.

Prior to World War I, he operated portrait studios in New York City and East Orange, New Jersey. In 1916 and 1917, he taught at the Clarence H. White School of Photography, founded by Clarence Hudson White, 1914–1918, and published several books and articles on photography. In 1920 Anderson began to write short fiction for magazines, including Argosy. For Argosy Anderson wrote adventure stories set in prehistorical times, called the "Ta-an" series.^[3] Anderson set aside his writing on photography in 1925 to focus more on fiction, beginning with short stories and two novels about student life at a boys' prep school in the fictional New England town of Lockport; he later followed with the five novels of his Roman Life and Times series, which have never been out of print since their initial publication. He returned to writing on photography some eight years later, at the same time continuing his fiction-writing career, which came to a close in 1939 with the publication of Pugnax the Gladiator.

According to family lore as related by his elder daughter, Anderson was good friends with Edward Weston. The two disagreed vehemently on photographic style with regard to the artistic value of sharp focus (Weston's preference) versus soft focus (Anderson's style). Anderson put an end to the disagreement by producing a wire-sharp picture of a dead mackerel on a plate.^[4]

Some of his photography is displayed at the Cleveland Museum of Art.

Biographer of Robert E. Howard, Rusty Burke, has argued that Anderson's "Ta-an" stories influenced Howard's fiction. Howard's unpublished poem "Am-ra of the Ta-an" borrows some names from Anderson's work. Howard's first published story, "Spear and Fang" (1925) is a prehistoric adventure similar to Anderson's "Ta-an" tales.^[3]