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Paul Marantz

American architectural lighting designer (1938–2025) From Wikipedia, the free encyclopedia

Paul Murat Marantz (April 27, 1938 – May 26, 2025) was an American architectural lighting designer, whose work includes the discothèque Studio 54,[1][2] the Times Square Ball,[3][4][5] the Tribute in Light,[2][3] the Barnes Foundation,[6][7] and the Burj Khalifa.[8][9] He was a founder of the lighting design firm Fisher Marantz Stone.[2][10]

Born
Paul Murat Marantz

(1938-04-27)April 27, 1938
DiedMay 26, 2025(2025-05-26) (aged 87)
New York City, U.S.
OccupationLighting designer
Quick facts Born, Died ...
Paul Marantz
Born
Paul Murat Marantz

(1938-04-27)April 27, 1938
DiedMay 26, 2025(2025-05-26) (aged 87)
New York City, U.S.
Alma materOberlin College
OccupationLighting designer
Spouse(s)
Marsha Heller
​
(divorced)​

Jane
​
(m. 1977)​
Children2
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Education and early career

Marantz was born in Elizabeth, New Jersey on April 27, 1938.[11] He received a B.A. from Oberlin College and did graduate work at Case Western Reserve University and Brooklyn College.[12] In 1968, he established an architectural lighting design firm with Jules Fisher.[13]

Personal life and death

Marantz was married to Marsha Heller and had one son, but later divorced. He married Jane in 1977, and had another son.[11] He died from a stroke at his home in Manhattan, New York City, on May 26, 2025, at the age of 87.[11][14]

Selected projects

Awards and honors

Marantz received numerous Lumen Citations from the Illuminating Engineering Society of North America (IES) for projects including the J. Paul Getty Museum, the restoration of Radio City Music Hall, the Times Square Ball, the Museum of Fine Arts, Houston, and the Byzantine Fresco Chapel.[4] He received the International Association of Lighting Designers (IALD) Award for Excellence for the Islamic Cultural Center of New York and the San Francisco Museum of Modern Art, and he received an IALD Citation for the restoration of the Rainbow Room.[4] New York Times architecture critic Herbert Muschamp described Marantz, as a “lighting genius.”[22]

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