Perspecta

1950s movie sound system From Wikipedia, the free encyclopedia

Perspecta was a directional motion picture sound system invented by the laboratories at Fine Sound Inc. in 1954. The company was founded by Mercury Records engineer C. Robert (Bob) Fine, husband of producer Wilma Cozart Fine. As opposed to magnetic stereophonic soundtracks available at the time, Perspecta's benefits were that it did not require a new sound head for the projector and thus was a cheaper alternative.[1]

Perspecta sound signal, showing amplitude (top) and spectrogram of the control signals (bottom). In this example, control signals steer the sound to following speakers: C, L, R and LCR.
Perspecta sound channel layout (Left, Center, Right)

Introduced as a "directional sound system" rather than a true stereophonic sound system, Perspecta did not use discretely recorded sound signals. Instead, three sub-audible tones at 30 Hz, 35 Hz, and 40 Hz are mixed appropriately and embedded in a monaural optical soundtrack, in addition to the audible sound.[2] When run through a Perspecta integrator, depending on whenever each tone is present, the audio is fed into a left (30 Hz), center (35 Hz) and right (40 Hz) speaker.[2] Unlike true stereophonic sound, which would be described as discrete tracks running in synchronization in time and phase, Perspecta merely panned a mono mix across various channels. Because of this, only isolated dialogue or sound effects could be mixed to be directional. Mixed sound effects, dialogue and music could not be suitably mixed. Aside from panning, Perspecta controlled gain levels for each channel through the amplitude of each control signal.[1]

Metro-Goldwyn-Mayer and Paramount Pictures were major supporters and developers of Perspecta. MGM used it on nearly everything that they released between mid-1954 to approximately 1958, including shorts, cartoons and trailers. Paramount used it, uncredited, on all their VistaVision pictures until it fell out of favor around 1958. In theory, the "High Fidelity" in VistaVision's trademark strongly implied high-fidelity sound, but, in reality, the system provided only higher-fidelity visual image, not higher-fidelity sound.[citation needed] Universal-International, Warner Bros., Columbia Pictures, United Artists, and Toho were among some of the other major studios to utilize Perspecta regularly.[3]

List of Perspecta features

More information Studio, Film ...
StudioFilmYearNotes
Allied Artists Pictures CorporationInvasion of the Body Snatchers1956
World Without End1956
MGMKnights of the Round Table1953
Athena1954
Beau Brummell1954
Gone with the Wind1954reissue
Bad Day at Black Rock1955also magnetic
Bedevilled1955also magnetic
Jupiter's Darling1955
Kismet1955
The Glass Slipper1955
The Last Hunt1955
The Tender Trap1955
Forbidden Planet1956also magnetic
High Society1956[4]
Lust for Life1956
Tom and Jerry1956–58
Jailhouse Rock1957
The Seventh Sin1957
Gigi1958also magnetic[5]
The Brothers Karamazov1958
The Law and Jake Wade1958
The Sheepman1958
Paramount3 Ring Circus1955
Anything Goes1956
Artists and Models1955
The Birds and the Bees1956
The Court Jester1955
The Desperate Hours1955
The Far Horizons1955
The Girl Rush1955
Hell's Island1955
The Leather Saint1956
Lucy Gallant1955
The Man Who Knew Too Much1956
Pardners1956
The Proud and Profane1956
Run for Cover1955
The Rose Tattoo1955
The Scarlet Hour1956
The Seven Little Foys1955
Strategic Air Command1955
That Certain Feeling1956
To Catch a Thief1955
The Trouble with Harry1955
War and Peace1956Perspecta Stereophonic Sound ® By Suonitalia Studio - Rome
We're No Angels1955
White Christmas1954
Funny Face 1957 [6]
You're Never Too Young1955
TohoBattle in Outer Space1959
Gorath1962also magnetic
The Hidden Fortress1958
High and Low1963also magnetic
The H-Man1958
King Kong vs. Godzilla1962also magnetic
The Last War1961also magnetic
Mothra1961also magnetic
The Mysterians1957
Red Beard1965also magnetic
Sanjuro1962[7]
The Secret of the Telegian1960
Varan the Unbelievable1958
Yojimbo1961[8]
United ArtistsThe Barefoot Contessa1954
Universal-InternationalAway All Boats1956
The Benny Goodman Story1956
The Black Shield of Falworth1954
One Desire1955
This Island Earth1955
The Spoilers1955
Warner Bros.East of Eden1955also magnetic
King Richard and the Crusaders1954also magnetic
Lucky Me1954also magnetic
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Some other films, such as Around the World in 80 Days (1956, United Artists), also used Perspecta to convert their non-encoded mono optical soundtracks to three channel surround.


See also

References

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