Peter Gill (playwright)

British theatre director and writer (1939–2026) From Wikipedia, the free encyclopedia

Peter Gill (7 September 1939 – 3 August 2026) was a Welsh theatre director, playwright, and actor.[1]

Born(1939-09-07)7 September 1939
Cardiff, Wales
Died3 August 2026(2026-08-03) (aged 86)
OccupationPlaywright, theatre director, actor
EducationSt Illtyd's College, Cardiff
Quick facts Peter Gill OBE FRSL, Born ...
Peter Gill

OBE FRSL
Born(1939-09-07)7 September 1939
Cardiff, Wales
Died3 August 2026(2026-08-03) (aged 86)
OccupationPlaywright, theatre director, actor
EducationSt Illtyd's College, Cardiff
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Early life

Gill was born in Cardiff to George John and Margaret Mary (née Browne) Gill, and educated at St Illtyd's College, Cardiff.[2][3]

Career

An actor from 1957–1965,[4] Gill directed his first production without décor, at the Royal Court Theatre in August 1965,[citation needed] A Collier's Friday Night by D. H. Lawrence. Having begun his career as an actor, he is now best known for his work as a director and playwright.[5]

Gill was elected a Fellow of the Royal Society of Literature in 2019.[6]

Royal Court

In 1964, Gill became Assistant Director at the Royal Court and Associate Director in 1970, best known there as the director of three hitherto under-rated plays by D. H. Lawrence, presented as a group in 1968. In 1969, the Royal Court also presented two of his own first plays, The Sleepers' Den and Over Gardens Out, "which revealed that Gill could evoke with the economy of means and lyrical skill the circumstances of his Cardiff boyhood".[7]

Riverside Studios

Gill was appointed artistic director of the Riverside Studios in 1976, and on 30 May, 1976, his Nottingham/Edinburgh production of As You Like It (starring Jane Lapotaire as Rosalind, John Price as Orlando and Zoë Wanamaker as Celia, with a stage design by William Dudley) marked the official opening of the Hammersmith arts centre, formerly television studios. His first Riverside production was a staging of his own version of Chekhov's The Cherry Orchard, which opened to press acclaim on 12 January, 1978 (starring Judy Parfitt as Ranevskaya and Julie Covington as Varya, again with a setting designed by William Dudley).[3]

Writing for The Sunday Times, theatre critic Bernard Levin said:

It is good to salute the opening of a new theatre; it is thrice good to be able to do so with almost unqualified praise for its first production. At the Riverside Studios, Peter Gill (who is in charge of the whole enterprise) has directed The Cherry Orchard with a cast so astonishingly suitable that I began, hallucinatorily, to believe that they had been assembled first, and that Chekhov had then written the play round them. What is more, they are achieving this effect on an impossible stage; it is seventy-five feet wide (the players have to sprint, never mind run, if they are to get off at all), absurdly shallow, and lacking even the most rudimentary trappings in the way of flies, a thrust or even wings.... Mr. Gill and his cast have sought success in the only place it can be found: inside themselves and the play. The effect is magical; The Cherry Orchard has almost never, in my experience, been at once so harrowing and so glittering; nor its fragile rhythms so finely, surely spun, its development so natural, human and real.[8]

When Gill left Riverside in 1980 to be an Associate Director at the National Theatre, a West London theatre critic John Thaxter wrote:

It is no exaggeration to say that Gill's four years as director have taken Riverside to a leading position in British theatre; both with his own productions (notably The Cherry Orchard and this year's Julius Caesar) and as a generous host to world theatre giants: Tadeusz Kantor and Athol Fugard among them....It would also be fair to say that the major portion of the subsidies making all this possible came from the Hammersmith Council, which this year alone provided £200,000 to Riverside, although its audience is drawn from far and wide.[9]

National Theatre

As an Associate Director of the National Theatre from 1980 to 1997, Gill also founded the National Theatre Studio in 1984, which he ran until 1 October, 1990. In his own words:

When I set up the National Theatre Studio the development and analysis of acting was a central part of the work, so that, along with commissioning writers, developing directors and designers, investigating non-text based work, and producing work for the main house, the practice and analysis of acting skills seemed an essential part of any programme of work that was in part concerned with process.[10]

Gill's method of directing is described by Luke Evans in his memoir of 2024.[full citation needed] Evans appeared in a revival of Gill's play set in South Wales Small Change.[citation needed]

Filmography

More information Year, Title ...
Year Title Role Notes
1962H.M.S. DefiantLieut. D'Arblay
1964ZuluPrivate 612 Williams
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Plays

Plays include:

  • The Sleepers Den, 1965; Royal Court, November 1969
  • Over Gardens Out, Royal Court, November 1969
  • Small Change, Royal Court, February 1976
  • Kick for Touch, National Theatre, February 1983
  • In the Blue. National Theatre, November 1985
  • Mean Tears, National Theatre, July 1987
  • Cardiff East, National Theatre, February 1997
  • The Look Across the Eyes, published 1997
  • Certain Young Men, Almeida Theatre, January 1999
  • Friendly Fire, Crucible Youth Theatre, Sheffield, June 2002
  • Lovely Evening, Theatre 503, March 2005
  • The York Realist, Royal Court, 2002; revived at the Donmar Warehouse and Sheffield Crucible, 2018
  • Original Sin, Crucible Sheffield, 2002
  • Another Door Closed, Theatre Royal, Bath, 2009
  • Versailles, Donmar Warehouse, 2014
  • As Good A Time As Any, Print Room, 2015
  • Something in the Air, Jermyn Street Theatre, 2022

Adaptations and versions:

As director

Royal Court Theatre

Source:[12]

Riverside Studios

National Theatre

Source:[13]

Other venues

Personal life

He lived from the 1960s until 2006 in a small flat in the Thameside house formerly belonging to George Devine and later bought by playwright Donald Howarth and his civil partner George Goetschuis.[citation needed]

In 2007, the British Library acquired Peter Gill's papers and supplementary papers consisting of literary works, theatre administration and correspondence.[14] National Life Stories conducted an oral history interview (C1316/08) with Peter Gill in 2008–2009 for its The Legacy of the English Stage Company collection held by the British Library.[15]

Gill died on 3 August 2026 at the age of 86.[1]

Sources

  • To Bodies Gone: The Theatre of Peter Gill, by Barney Norris, Seren Books (2014); ISBN 978-1781721810
  • Who's Who in the Theatre, 17th Edition, Gale (1981); ISBN 0-8103-0234-9
  • Actors Speaking with an introduction by Peter Gill, edited by Lyn Haill, Oberon Books (2007); ISBN 1-84002-776-2

References

External links

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