Pilar-Morin
From Wikipedia, the free encyclopedia
March 1, 1865
Pilar-Morin | |
|---|---|
 Pilar-Morin as a Pierrot (1895), from the Library of Congress. | |
| Born | Pilar de Baradat March 1, 1865 Barcelona, Spain |
| Died | April 28, 1945 (aged 80) Manhattan, New York City, U.S. |
| Other names | Pilar Morin, Madame Pilar-Morin |
| Occupation | Actress |
Madame Pilar-Morin (née Pilar de Baradat; March 1, 1865 – April 28, 1945) was a Spanish-French actress on stage, in vaudeville, and in silent films.
She was born in 1865 in Barcelona, the daughter of Camella and Adondio De Baradat.[1] Pilar-Morin recalled a childhood in Barcelona, a Catholic education, a brief early marriage to a French count, and training as an actress and singer at the Paris Conservatoire.[2][3][4]
Career
Pilar-Morin was a stage performer who specialized in "silent drama" in the mime tradition,[5] in shows including L'Enfant Prodigue,[6] In Old Japan, A Paris Model, Rachel, and Orange Blossoms.[7][8] She appeared in David Belasco's Madame Butterfly in London, and in vaudeville in the United States.[9] Her expressive face and gestural vocabulary were considered well-suited to the medium of silent film. "We do not think there is any other woman in the world more suited by training, talent and temperament to the opportunity of uplifting the moving picture by her art."[2]
Edison Company films featuring Pilar-Morin[10] as an actress include Comedy and Tragedy (1909), A Japanese Peach Boy (1910), The Cigarette Maker of Seville (1910, a short, silent version of Carmen), Carminella (1910), The Piece of Lace (1910), From Tyranny to Liberty (1910), The Key of Life (1910), and The Greater Love (1910).
After her film career, Pilar-Morin returned to giving live performances,[11] and had an acting studio in New York.[12] She invented a method, the "Key Note Waved Winged Clavier", for training singers and speakers in breath control.[13][14] She wrote and presented a short drama about the French Revolution, La Cordette (1913).[15][16] She also wrote and lectured on drama, breath control, and physical expression, for example in 1919 to the Society of Physical Education in New York.[17] She trained American opera singer Josephine Lucchese in her physical methods.[18]
Charges of impropriety
In 1896, Elizabeth Bartlett Grannis of the National Christian League for the Promotion of Purity charged a theatre manager, J. B. Doris, with "presenting an improper pantomime", specifically Pilar-Morin's Orange Blossoms.[19] Grannis explained that Pilar-Morin's "grimaces" and gestures in a disrobing scene were "suggestive" and "demoralizing." Pilar-Morin appeared before a New York magistrate to defend her show.[20] The case went before the New York State Supreme Court in 1897.[21] Her 1899 show, My Cousin (Ma Cousine) was also condemned as lewd and obscene.[22] "You Americans prate about purity in dramatics," she told an interviewer, "and there ends your opinions on the subject. You do not support pure plays, and naturally drive managers to seek what you really want."[23]
