Plague, Poverty and Prayer: A Horrid History with Terry Deary

William Terence Deary (born 3 January 1946) is the British children's author behind the Horrible Histories series. Having written 351 books and sold over 38 million copies in over 45 languages, Deary has become one of Britain's best-selling authors since 1994.

The exhibition was created as part of the broader Horrible Histories franchise, which has become known for making history accessible and engaging through its focus on the gruesome and fascinating details of the past.

The project was funded by the Wellcome Trust and designed by York Archaeological Trust. The exhibition represents a continuation of the Horrible Histories approach to education, combining entertainment with historical accuracy to engage audiences with medieval history.

The exhibition featured significant archaeological findings from medieval York, including the skeleton of a woman with leprosy that had been excavated in the city.^[1] These skeletal materials provided visitors with direct physical evidence of the diseases and health conditions that affected medieval populations.

The exhibition examined not only illnesses and diseases from the period but also explored who and what may have treated them.

The exhibition highlighted the importance of various healing approaches in medieval society, including folk medicine, prayer, astrology, spells, and mysticism. This comprehensive approach provided visitors with insights into how medieval people understood and attempted to treat illness, combining both practical medical knowledge and spiritual beliefs of the time.

What was described as an updated version of the exhibition went on display in 2013 at Barley Hall in York.^[2] Barley Hall is a Grade II medieval timber-framed building. After suffering significant neglect prior to its acquisition by the York Archaeological Trust, the building underwent partial reconstruction circa 1990 by McCurdy & Co., specialists in timber-framed buildings, with the intention of restoring its 15th-century appearance.

Plague, Poverty and Prayer incorporated interactive displays that allowed visitors to explore various aspects of medieval health and medicine. While the setting of Barley Hall enhanced the immersive experience of the exhibition, some people have argued that the building has been over restored to the extent of representing an imaginary and commodified past.^[3] It is a classic case of the tension between conservation, interpretation, and public engagement. Historic England advocates for an alternative approach to conservation and restoration, "conservative restoration" preserving what remains rather than recreating what is lost.

Deary joined the Theatre Powys drama company in 1972, touring Welsh village halls to bring theatre to children.

In addition to the exhibition Plague, Poverty and Prayer, Deary was involved in creating a theatrical play with the same title. This theatrical version was previewed in the Scottish press in 2013.^[4]