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Please, No Police

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Please No Police is a 1981 novella by Aras Ören [de]. Set in 1973, it follows a cast of German and Turkish characters living in the Kreuzberg district of Berlin, Germany. The story primarily concerns Ali, an illegal Turkish migrant trying to find work, and the Gramke family, who are native working-class Berliners.[1][2] The book was originally written in Turkish and published in German as Bitte nix Polizei. An English translation was later published in 1992.[1]

The beginning of the Guest Worker program in Germany started with the postwar labor recruitment treaty.[3] The Federal Republic of Germany signed a treaty with Italy in 1955 which defined what a “guest” worker or Gastarbeiter is and the application process that allowed them to enter the country.[3] Guest Worker programs came about due to the high labor demand from industrialized economies of Western Europe and the excess labor supply from less industrialized countries.[4] Germany received mainly Turkish workers, which promised them more work opportunities that would lead to upward mobility.[4] The treaty between Turkey and Germany was signed on September 1, 1961, when Turkey was struggling to sort through political conflict.[4] At first, these workers were gladly accepted by German society, but the demand for workers wasn’t being fulfilled fast enough and Germany threatened to seek laborers from other countries.[4] Many Turkish workers failed to pass the recruitment process, which included a medical check-up, and those who did pass could not bring their families with them.[4] Although accepted in the beginning, in more recent years the Turkish workers are described as un-assimilated, and there is a growing animosity towards the group of people that some even describe as reminiscent of the feelings towards Jews in pre-war Germany.[4]

Ören’s work is a part of a subgenre of literature dealing with the Turkish migrant’s experience in Germany.[4] This genre of literature has been labeled Gastarbeiterliteratur and has had over 1,100 works written on this content in the past thirty five years.[4] This genre focuses on the interpretation of recruitment practices, competitions, appropriations, and movements through many different media from poetic critiques, to the celebration of multicultural identities.[5]

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