Ashura, a Japanese National Treasure sculpture from 734.
In the mid-6th century, the introduction of Buddhism from Baekje to Japan resulted in a revival of Japanese sculpture. Buddhist monks, artisans and scholars settled around the capital in Yamato Province (present day Nara Prefecture) and passed their techniques to native craftsmen. Consequently, early Japanese sculptures from the Asuka and Hakuhō periods show strong influences of continental art, which initially were characterized by almond-shaped eyes, upward-turned crescent-shaped lips and symmetrically arranged folds in the clothing. The workshop of the Japanese sculptor Tori Busshi, who was strongly influenced by the Northern Wei style, produced works which exemplify such characteristics. The Shakyamuni triad and the Guze Kannon at Hōryū-ji are prime examples. By the late 7th century, wood replaced bronze and copper. By the early Tang dynasty, greater realism was expressed by fuller forms, long narrow slit eyes, softer facial features, flowing garments and embellishments with ornaments such as bracelets and jewels. Two prominent examples of sculptures of this period are the Shō Kannon at Yakushi-ji and the Yumechigai Kannon at Hōryū-ji. During the Nara period, from 710 to 794, the government established and supported workshops called zōbussho, the most prominent of which was located in the capital Nara at Tōdai-ji, which produced Buddhist statuary. Clay, lacquer and wood, in addition to bronze, were used. Stylistically, the sculptures were influenced by the high Tang style, showing fuller body modelling, more natural drapery and a greater sense of movement. Representative examples of Nara period sculpture include the Great Buddha and the Four Heavenly Kings at Tōdai-ji, or the Eight Legions at Kōfuku-ji. (Fullarticle...)
Flowering Plum Tree (after Hiroshige), a copy of the ukiyo-e woodblock print Plum Park in Kameido by the Japanese artist Hiroshige. Completed in 1887, this painting is one of several Japanese-influenced works created by Vincent van Gogh after the opening up of Japan. In his copy, van Gogh ignored the shading present in the trunk and background of Hiroshige's image, which there implied age, and instead used colours with more "passion" and "youthfulness".
Asahi Breweries is a Japanese global beer, spirits, soft drinks and food business group. This photograph, taken during the blue hour with a full moon, shows the headquarters of Asahi Breweries in Sumida, Tokyo, as viewed from the wharf on the Sumida River near Azuma Bridge. The Asahi Beer Hall, topped by the Asahi Flame, designed by Philippe Starck, is visible on the right, with the Tokyo Skytree in the background on the left.
The Japanese government-issued dollar was a form of currency issued between 1942 and 1945 for use within the territories of Singapore, Malaya, North Borneo, Sarawak and Brunei, under occupation by Imperial Japan during World WarII. The currency, informally referred to as "banana money", was released solely in the form of banknotes, as metals were considered essential to the war effort. The languages used on the notes were reduced to English and Japanese. Each note bears a different obverse and reverse design, but all have a similar layout, and were marked with stamped block letters that begin with "M" for "Malaya". This 1945 one-hundred-dollar Japanese-issued banknote, depicting labourers in a rubber plantation on the obverse, and stilted Malay houses on the reverse, is part of the National Numismatic Collection at the Smithsonian Institution.
Other denominations: '"`UNIQ--templatestyles-00000013-QINU`"'
A geisha at work lighting a client's cigar. Geisha are often hired to attend parties and gatherings, traditionally at tea houses or at traditional Japanese restaurants.
Prunus serrulata (Japanese Cherry) is a species of cherry native to Japan, Korea and China. Its flowers are produced in clusters of two to five together at nodes on short spurs in spring. They are white to pink, with five petals in the wild type tree.
Before the outbreak of World WarI, German naval ships were located in the Pacific; Tsingtao developed into a major seaport while the surrounding Kiautschou Bay area was leased to Germany since 1898. During the war, Japanese and British Allied troops besieged the port in 1914 before capturing it from the German and Austro-Hungarian Central Powers, occupying the city and the surrounding region. It served as a base for the exploitation of the natural resources of Shandong province and northern China, and a "New City District" was established to furnish the Japanese colonists with commercial sections and living quarters. Tsingtao eventually reverted to Chinese rule by 1922.
The siege of Osaka was a series of battles undertaken by the Japanese Tokugawa shogunate against the Toyotomi clan, and ending in the clan's dissolution. Divided into two stages (the winter campaign and the summer campaign), and lasting from 1614 to 1615, the siege put an end to the last major armed opposition to the shogunate's establishment. This eight-metre-long (26 ft) painting, titled The Summer Battle of Osaka Castle and executed on a Japanese folding screen, illustrates Osaka Castle under siege, and was commissioned by the daimyoKuroda Nagamasa, who took a team of painters with him to the battlefield to record the event. The painting depicts 5071 people and 21 generals, and is held in the collection of Osaka Castle.
A registration card for Louis Wijnhamer (1904–1975), an ethnic Dutch humanitarian who was captured soon after the Empire of Japan occupied the Dutch East Indies in March 1942. Prior to the occupation, many ethnic Europeans had refused to leave, expecting the Japanese occupation government to keep a Dutch administration in place. When Japanese troops took control of government infrastructure and services such as ports and postal services, 100,000 European (and some Chinese) civilians were interned in prisoner-of-war camps where the death rates were between 13 and 30 per cent. Wijnhamer was interned in a series of camps throughout Southeast Asia and, after the surrender of Japan, returned to what was now Indonesia, where he lived until his death.
Banknotes: Empire of Japan. Reproduction: National Numismatic Collection, National Museum of American History at the Smithsonian Institution
The Japanese-issued Netherlands Indies gulden was the currency issued by the Japanese Empire when it occupied the Dutch East Indies during World War II. Following the Dutch capitulation in March 1942, the Japanese closed all banks, seized assets and currency, and assumed control of the economy in the territory. They began issuing military banknotes, as had previously been done in other occupied territories. These were printed in Japan, but retained the name of the pre-war currency and replaced the Dutch gulden at par. From 1943 the military banknotes were replaced by identical bank-issued notes printed within the territory, and the currency was renamed the roepiah from 1944. The currency was replaced by the Indonesian rupiah in 1946, one year after the Japanese surrender and the country's independence.
This note, denominated half gulden, is part of the 1942 series.
1945 - World War II: Combat in World War II ends in the Pacific Theater: The final official surrender of Japan is accepted aboard the battleship USS Missouri in Tokyo Bay.
Kodama began her career at Sega as a graphic designer on arcade games and Master System games, including Alex Kidd in Miracle World (1986) and Phantasy Star (1987). The success of Phantasy Star led her to continue with the series thereafter, including directing Phantasy Star IV: The End of the Millennium (1993) for the Sega Genesis. She did artwork for other Genesis games, including Altered Beast (1988) and Sonic the Hedgehog (1991). Later, as producer, she oversaw the development of several Sega video games, including the critically successful Skies of Arcadia. Kodama remained a producer at Sega until her death. She received the Pioneer Award at the 2018 Game Developers Choice Awards in recognition of her lifelong contributions to video games. (Full article...)
Kōchi Prefecture is a prefecture of Japan located on the south coast of Shikoku. The capital is the city of Kōchi. Prior to the Meiji Restoration, Kōchi was known as Tosa Province. The prefecture comprises the southwestern part of the island of Shikoku, facing the Pacific Ocean. It is the largest but least populous of Shikoku's four prefectures. Most of the province is mountainous, and in only a few areas such as around Kōchi and Nakamura is there a coastal plain. Kōchi is famous for its many rivers. Inamura-yama in Tosa-cho is the highest peak in Kochi prefecture with an altitude of 1506 meters above sea level. Eleven cities are located in Kōchi Prefecture.
Image 8The Kuril Islands, with their Russian names. The borders of the Treaty of Shimoda (1855) and the Treaty of St. Petersburg (1875) are shown in red. Currently, all islands northeast of Hokkaido are administered by Russia. (from Geography of Japan)
Image 15Minamoto no Yoritomo was the founder of the Kamakura shogunate in 1192. This was the first military government in which the shogun with the samurai were the de facto rulers of Japan. (from History of Japan)
Image 27Samurai could kill a commoner for the slightest insult and were widely feared by the Japanese population. Edo period (1798) (from History of Japan)
Image 28
Landscape of the Osaka City under the leaving Administration.
Image 37A social hierarchy chart based on old academic theories. Such hierarchical diagrams were removed from Japanese textbooks after various studies in the 1990s revealed that peasants, craftsmen, and merchants were in fact equal and merely social categories. Successive shoguns held the highest or near-highest court ranks, higher than most court nobles. (from History of Japan)
Image 43Japanese experts inspect the scene of the alleged railway sabotage on South Manchurian Railway that led to the Mukden Incident and the Japanese occupation of Manchuria. (from History of Japan)
Image 48Emperor Shōwa was in power during World War II (from History of Japan)
Image 49Hōryū-ji is widely known to be the oldest wooden architecture existing in the world. (from Culture of Japan)
Image 50Relief map of the land and the seabed of Japan. It shows the surface and underwater terrain of the Japanese archipelago. (from Geography of Japan)
This is a list of recognized content, updated weekly by JL-Bot (talk·contribs) (typically on Saturdays). There is no need to edit the list yourself. If an article is missing from the list, make sure it is tagged(e.g. {{WikiProject Japan}})or categorizedcorrectly and wait for the next update. See WP:RECOG for configuration options.
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.svg){kind=small}
_Classic_hatchback_01.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.png)
_-_left_hand_screen.jpg)
_-_right_hand_screen.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
-1_Centavo_(1942).jpg)
-5_Centavos_(1942).jpg)
-10_Centavos_(1942).jpg)
-50_Centavos_(1942).jpg)
-1_Peso_(1942).jpg)
-5_Pesos_(1942).jpg)
-10_Pesos_(1942).jpg)
-1_Peso_(1943).jpg)
-5_Pesos_(1943).jpg)
-10_Pesos_(1943).jpg)
-100_Pesos_(1944).jpg)
-500_Pesos_(1944).jpg)
-1000_Pesos_(1945).jpg)
.jpg)
