Portrait of Giacomo di Andrea Dolfin
Painting by Titian
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Portrait of Giacomo di Andrea Dolfin, formerly known only as Portrait of a Man, is an oil painting by the Venetian master Titian, made about 1531.[1] It is part of the collection of the Los Angeles County Museum of Art, though not currently on display.[1]
| Portrait of Giacomo Dolfin | |
|---|---|
| Artist | Titian |
| Year | c. 1531–1532 |
| Medium | Oil on canvas |
| Dimensions | 104.9 cm × 90.9 cm (41.3 in × 35.8 in) |
| Location | |
Subject
The sitter was identified as Giacomo di Andrea Dolfin by Charles Hope in 1982,[2] based on the partially legible inscription on the letter held in the subject's right hand, which is addressed to himself.[3] Philip Conisbee, in 1991, gave the following decipherment: "Al Cl … mo Giacomo delfin / M ... co D ... Prvi / a Vrcinovi [or Venezia]".[3] Dolfin is probably being referred to as provveditore at Orzinuovi, which position he is known to have occupied in 1531 and 1532.[3][4] Titian shows him garbed in the costly burgundy robes of a Venetian magistrate.[3]
History
- Probably seen by Vasari in the house of Danese Cattaneo during his stay in Venice in 1566, described thus: un ritratto di man di Tiziano, d'un gentiluomo da ca' Delfini ("a portrait by the hand of Tiziano of a gentleman of the Delfini family").[3][5]
- In the collection of Antonio Canova, mentioned in the inventory after his death in 1822.[3]
- Gifted by The Ahmanson Foundation (M.81.24) to the Los Angeles County Museum of Art.[3]
Copy
| Venetian Nobleman | |
|---|---|
| Artist | Titian |
| Year | after 1530 |
| Medium | Oil on canvas |
| Dimensions | 108.0 cm × 91.4 cm (42.5 in × 36.0 in) |
| Location | |
| Accession | F.1965.1.065.P |
There is an old copy of the painting in the collection of the Norton Simon Museum, Pasadena, entitled Portrait of a Venetian Nobleman, which is thought to be either a studio version or a later copy by Titian himself.[6] As revealed by x-ray analysis, the copy was painted over another fully finished and cut-down portrait of a bearded, seated figure which was probably by another hand (perhaps Leandro Bassano).[6]
The painting was acquired by Joseph Duveen in 1928 and published in a German catalogue by Wilhelm Suida in 1939.[7] It includes a type of cloth hanging or unfolded curtain behind the figure of Dolfin. The same type of cloth hanging was once in the original portrait but proved to be a later addition and was removed during a conservation effort in 1980.[3]
Provenance
- Leo Blumenreich, Berlin; sold October 1928 to:
- Duveen Brothers, London and New York; sold 1965 to:
- The Norton Simon Foundation.[6]