This painting is inscribed with MARGRETA.BRÖMSEN NATA . A:1626.30 NOVEMB NUPTA. A:1641.29.NOVEMB: MORTUA. A:1642.16.APRIL, which reports Margarete Brömsen's birth date (30 November 1626), the marriage date (29 November 1641), and the death date (16 April 1642).[2] She is wearing a lace cap and a wide lace collar over a white dress edged with gold trim with a gold chain. In her right hand she holds a carnation and in her gloved left hand she holds another glove. Margarete Brömsen was the wealthy daughter of the Lübeck mayor Anton Kohler. The visible amount of gold in her dress shows an ostentatious display that may be the result of the 9 October 1641 confirmation of nobility rights for the families of Warendorp, Wickede, Brömsen, Luneburg, Kerkring, and Stiten by Emperor Ferdinand III. The privileges are referred to as the Zirkelgesellschaft (Circle company).
Since the dates on the painting report that she died only 5 months after her wedding, Margarete Brömsen was possibly painted during pregnancy and could have died in childbirth. Considering the fact that a pendant is unknown and marriage pendants were often made in the year after the wedding, then this painting could be a commemorative posthumous portrait. Deathbed portraits were common for rich families at the time, and for children in the Netherlands, sometimes the deceased was posed to look alive. Other portraits Hirt made of her contemporaries were:
1642 portrait of Anna Rosina Marquart
1640 portrait of Agneta Köhler (* 1625; † 1640)
Portrait of Magdalena Köhler née Brömbse (1626-1642)
Portrait of a Daughter of Dieterich Bromsen
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