Post-dubstep
From Wikipedia, the free encyclopedia
| Post-dubstep | |
|---|---|
| Stylistic origins | |
| Cultural origins | Late 2000s, London, UK |
| Typical instruments | |
| Derivative forms | |
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Post-dubstep is an umbrella term applied to a range of musical styles that have been influenced by the sparse, syncopated rhythms and heavy sub-bass of the UK dubstep scene.
The breadth of styles associated with the term post-dubstep precluded it from being a specific musical genre in the early 2010s.[1] Such music often references earlier dubstep productions as well as UK garage, 2-step and other forms of underground electronic dance music.[2][3][4] Artists producing music that has been described as post-dubstep have also incorporated elements of ambient music and early 2000s R&B. The latter in particular is heavily sampled by two artists described as defining post-dubstep, Mount Kimbie and James Blake.[5][6][7]
The tempo of music typically characterised as post-dubstep is approximately 130 beats per minute.[1] Post-dubstep typically has a more minimal and mature sound than dubstep,[7][3][8] featuring an overall sparse soundscape overlayed with soulful vocals[3] and greater emphasis on elements like woozy synths and use of piano.[9] The drum patterns in post-dubstep take a more minimalistic and experimental approach,[10] featuring eclectic, broken drum patterns derived from but not fitting dubstep, focusing on adding atmosphere and texture rather than driving energy.[8][9]