Producing Great Sound for Film and Video
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 4th Edition | |
| Author | Jay Rose |
|---|---|
| Language | English |
Release number | 4th Edition |
| Subject | Filmmaking, Audio Production, Audio Mixing |
| Published | July 17, 2014 |
| Publisher | Focal Press |
| Publication place | United States |
| ISBN | 978-0415722070 |
Producing Great Sound for Film and Video: Expert Tips from Preproduction to Final Mix is a non-fiction, filmmaking handbook. It covers the process of acquiring quality sound for motion picture productions.
Author Jay Rose is an Emmy-award winning sound professional.[1] He has won over 150 major awards including 12 Clios, and he has contributed to nearly 15,000 commercials.[2] His work includes the MGM release Two Weeks.[3]
The book is published by Focal Press, a media and technology publishing company.[4] Focal Press is an imprint of the academic press Taylor & Francis.[5][6]
The book was first published in 1999 under the title Producing Great Sound for Digital Video by Miller Freeman Books and was 375 pages.[7][8] Seventeen years later, as of 2016, the book is in its fourth edition, and stands at 520 pages.[9]
It has been a part of required reading at many film schools, including the University of Southern California (USC).[10]
The book was also awarded five out of five stars by Videomaker Magazine.[11]
When released, Millimeter Magazine noted that the book was one of very few publications extensively covering the art of capturing motion picture sound.[12]
Producing Great Sound for Film and Video has been called, "...the book on the subject."[13]
Producing Great Sound for Film and Video is broken into four main sections, ordered to reflect real-world filming situations:
- Audio Basics
- Planning and Pre-Production
- Production Sound
- Postproduction
Subjects covered include analog versus digital audio, recording and using sound effects, microphone techniques, ADR, mixing, and mastering.
One section highlighted as unique by Videomaker Magazine was that on "editing voices."[11] Rose breaks down how human speech works, and how that translates to film and video productions. Tips include stealing unvoiced sounds from other characters, or people speaking in a scene, and using them to replace problematic recordings of others. The "editing voices" section also discusses sounds with "hard attacks" and training the ear to hear phonemes, which helps in isolating and correcting speech recording issues.
Numerous "recipes" for dealing with common sound issues, such as reducing or eliminating echo on sets, and removing line hum and buzz from recorded audio, are also provided.
Eliva Silva writing for San Antonio Express-News said of the book:
[It is] the whole theory -- and beautiful theory -- on the science of audio and the way that audio is recorded through voltage, converted into digital information, back to voltage into sound.[14]
Style
Author Rose states in the book that he wishes to appeal to technical and non-technical people alike, adding he hopes to keep the book approachable and conversational in tone, dispelling the idea that audio needs to be difficult to understand. He states that audio is not "rocket science." While the book does contain math and science, Rose points out the math is at an elementary school level and the physics is "common sense."
The current version of the book provides downloadable files including sample sounds and music, diagnostic tools and additional tutorials allowing the reader to practice with the principles explained. Earlier versions of the book included a CD-ROM of similar assets.
In 2003, Millimeter Magazine wrote about the book:
Digital artists are very much hands-on, and Rose is the right man to write audio books for this new generation of filmmakers. Rose operates his own boutique sound studio and bridges the analog and digital eras - he's made the discoveries and mistakes that no one should have to learn on the job. This direct experience with DV equipment and projects is apparent throughout the book.[12]