Pull Up to the Bumper

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"Pull Up to the Bumper"
Artwork for 1986 single re-release
Single by Grace Jones
from the album Nightclubbing
B-side
ReleasedJune 1981 (1981-06)
StudioCompass Point Studios, Nassau, The Bahamas
Genre
Length
  • 3:40 (single version)
  • 4:41 (album version)
LabelIsland
Composers
  • Kookoo Baya
  • Grace Jones
  • Dana Mano
LyricistGrace Jones
Producers
Grace Jones singles chronology
"I've Seen That Face Before (Libertango)"
(1981)
"Pull Up to the Bumper"
(1981)
"Walking in the Rain"
(1981)

"Jones the Rhythm"
(1985)

"Pull Up to the Bumper"
(1986)

"Love Is the Drug"
(1986)
Music video
"Pull Up to the Bumper" on YouTube

"Pull Up to the Bumper" is a song by Jamaican singer, songwriter, model and actress Grace Jones, released in June 1981 by Island Records as the third single from her fifth album, Nightclubbing (1981). Sonically, it is an uptempo[1] electro-disco,[2] post-punk,[3] dance-pop[1] and reggae-disco[4] song with dub production,[5] "pulsing drums and chic new-wave licks",[6] as well as being described as a hybrid of funk and R&B.[1] Its lyrics were written by Jones alone,[7] while she, along with Kookoo Baya and Dana Manno, are credited as its composers. The song's instrumental part was originally recorded in 1980 during the Warm Leatherette sessions; however, it did not make the album as Chris Blackwell found its sound not fitting in the rest of the material.[8] It was completed for the 1981 critically acclaimed Nightclubbing album and became its third single in June 1981. The song peaked at number two on the US Billboard Hot Dance Club Songs chart and number 53 on the UK Singles Chart. When re-released in 1986, it peaked at number 12 in the UK. The track has come to be one of Jones' signature tunes and her first transatlantic hit.

The song sparked controversy for its sexually suggestive lyrics, prompting some radio stations to refuse to broadcast it.[9] Among the lines are "Pull up to my bumper baby / In your long black limousine / Pull up to my bumper baby / Drive it in between", "Grease it / Spray it / Let me lubricate it" and "I've got to blow your horn." However, in a 2008 interview with Q magazine, Jones suggested that the lyrics were not necessarily meant to be interpreted as a metaphor for anal sex.[10]

Over the years, "Pull Up to the Bumper" has been remixed several times. The original 12-inch single featured the unedited album master recording as an extended mix of 6m45s. There also appears to be an untitled long album version lasting 5m48s which can be found on the US Rebound Records/Polygram Records World of Dance: The 80's compilation CD. An extended dub version lasting 7m17s also known as "Remixed Version" was included as the B-side on the 12-inch release of Jones' "Walking in the Rain"; this version can be found on the Universal Music compilation CD 12"/80s. The "Walking in the Rain" 7" single also had an alternate dub mix as the B-side, called "Peanut Butter" and credited to the Compass Point All Stars. The full mix of "Peanut Butter" lasting 7m02s as well as "Pull Up to the Bumper"'s "Party Version" lasting 5m01s can be found on the US Hip-O Records/Universal Music In Good Company CD by Sly & Robbie.

In 1985, the track was remixed and re-released to promote the Island Life compilation, and was released in two different 12-inch single mixes, one an extended mix with additional keyboard overdubs and remix by Paul "Groucho" Smykle, which can be found on both the Rodeo Media 2011 Dance Classics - Pop Edition Vol. 4 2CD Compilation and the very rare EVA Records 1986 Now Dance compilation CD. The other, an eight-minute megamix entitled "Musclemix", which included excerpts from tracks like "Warm Leatherette", "Walking in the Rain", "Use Me", "Love Is the Drug" and "Slave to the Rhythm", remains unreleased on CD.

Critical reception

Terry Nelson from Albumism commented in his review of Nightclubbing, "Many critics loved the playful double entendre, but if you were listening carefully, you could tell that it was a pretty blunt statement. She was not pulling any punches. It was a song that could've been ripped out of the pages of the Penthouse forum set to an infectious, funky beat: "Pull up to my bumper baby / In your long black limousine / Pull up to my bumper baby / And drive it in between"."[11] The Daily Vault's Mark Millan named it an "instant Jones classic", and noted that the singer "peppered the lyric with a swell of sexual innuendos".[12] Music critic and writer Glenn O'Brien named "Pull Up to the Bumper" "Grace's first car radio hit".[13]

Chart performance

Upon its release, the song spent seven weeks at number two on the US Billboard Hot Dance Club Play chart,[14] as well as becoming a Top 5 single on the Billboard R&B chart. The original 1981 release peaked at number 53 on the UK Singles Chart. When it was re-released in 1985, then with the 1977 recording of "La Vie en rose" as the B-side, it reached number 12 on the UK singles chart in early 1986.[15] The song then finally charted in Ireland and West Germany, and became the singer's best-seller.[16]

Impact and legacy

The song was ranked at number eight among the top 10 "Tracks of the Year" for 1981 by NME.[17] In 2004, Q magazine featured it in their list of "The 1010 Songs You Must Own". In 2005, Blender ranked it number 88 in their list of "Greatest Songs Since You Were Born".[18] In 2011, The Guardian's Richard Vine ranked the release of "Pull Up to the Bumper" as one of 50 key events in the history of dance music, proclaiming it "one of those rare records that manages to replicate the sensation of actually being in a club."[19] Pitchfork Media featured it in their list of "50 Songs That Define the Last 50 Years of LGBTQ+ Pride" in 2018.[4] Same year, Time Out ranked it number 41 in their "The 50 Best '80s Songs" list.[20]

Spin ranked it as one of "The 30 Best Disco Songs That Every Millennial Should Know" in 2019.[21] Slant Magazine placed "Pull Up to the Bumper" at number 64 in their list of "The 100 Best Dance Songs of All Time" in 2020.[22] Rolling Stone ranked it number 84 in their list of "200 Greatest Dance Songs of All Time" in 2022.[23] In October 2023, Billboard magazine ranked it number 65 in their list of "The 100 Best Pop Songs Never to Hit the Hot 100", writing that "Grace Jones' shimmering and highly euphemistic post-disco clarion call made for arguably her most irresistible pop single."[24] In 2025, they ranked it numbers 82 and 46 in their lists of "The 100 Best Dance Songs of All Time" and "The 100 Greatest LGBTQ+ Anthems of All Time".[25][26]

Accolades

Year Publisher Country Accolade Rank
2003 Paul Morley United Kingdom "Greatest Pop Single of All Time"[27] *
2004 Q United Kingdom "The 1010 Songs You Must Own" *
2005 Blender United States "Greatest Songs Since You Were Born"[18] 88
2011 The Guardian United Kingdom "A History of Modern Music: Dance"[19] *
2016 NME United Kingdom "Tracks of the Year: 1981"[17] 8
2016 NME United Kingdom "The 20 Best Disco Songs of All Time"[28] *
2018 Pitchfork Media United States "50 Songs That Define the Last 50 Years of LGBTQ+ Pride"[4] *
2018 Time Out United Kingdom "The 50 Best '80s Songs"[20] 41
2019 Spin United States "The 30 Best Disco Songs That Every Millennial Should Know"[21] *
2020 Slant Magazine United States "The 100 Best Dance Songs of All Time"[22] 64
2022 Rolling Stone United States "200 Greatest Dance Songs of All Time"[23] 84
2023 Billboard United States "The 100 Best Pop Songs Never to Hit the Hot 100"[24] 65
2025 Billboard United States "The 100 Best Dance Songs of All Time"[25] 82
2025 Billboard United States "The 100 Greatest LGBTQ+ Anthems of All Time"[26] 46

(*) indicates the list is unordered.

Music video

The accompanying music video for "Pull Up to the Bumper" is a combination of live footage of Jones performing the song on her A One Man Show merged and edited alongside excerpts from Godfrey Reggio's 1982 experimental documentary film Koyaanisqatsi. The video uses the edited studio version of the song and its opening section includes the drum intro from Jones' version of the song "Nightclubbing".[29]

Another music video for the song was produced, also using the same live footage, cut and re-edited, but this time retaining the original concert soundtrack. The video ends with Jones jumping from the stage into the audience.[30]

Track listing

Personnel

Charts

Chart (1981–86) Peak
position
Australia (Kent Music Report)[31] 67
Belgium (Ultratop)[32] 14
Belgium (Ultratop)[32]
1986 re-release
35
European Top 100 Singles (Eurotipsheet)[33]
1986 re-release
16
Finland (Suomen virallinen lista)[34]
1986 re-release
13
Ireland (IRMA)[35]
1986 re-release
10
Luxembourg (Radio Luxembourg)[36]
1986 re-release
10
Netherlands (Dutch Top 40)[37] 20
Netherlands (Single Top 100)[38] 16
New Zealand (RIANZ)[39] 14
New Zealand (RIANZ)[40]
1986 re-release
13
Spain (Productores de Música de España)[41] 37
UK Singles (OCC)[15] 53
UK Singles (OCC)[15]
1986 re-release
12
US Bubbling Under Hot 100 (Billboard)[42] 1
US Hot Dance Club Play (Billboard)[43] 2
US Hot R&B/Hip-Hop Songs (Billboard)[43] 5
US Cash Box Top 100[44] 95
US Cash Box Black Contemporary Top 100[45] 3
West Germany (GfK Entertainment Charts)[46]
1986 re-release
26

Certifications

Certifications and sales for "Pull Up to the Bumber"
Region CertificationCertified units/sales
United Kingdom (BPI)[47] Silver 200,000

Sales+streaming figures based on certification alone.

Patra version

Later versions

References

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