Rafiki (film)

Kena helps her father John Mwaura run a small convenience store in Nairobi as he campaigns for a local election. Kena lives with her mother, who isn't really on speaking terms with John. Kena starts flirting with Ziki, a neighbourhood girl with colourful hair, who also happens to be the daughter of Peter Okemi, John's political rival. Kena and Ziki have a number of romantic dates, and quickly become very close, but there are tensions about displaying their affection in public because homosexuality is illegal in Kenya.^[6][7]

Ziki's friends get jealous that she is spending so much time with Kena, and when they attack Kena, Ziki defends her. Ziki takes Kena home to dress her wounds, but Ziki's mom catches them kissing. They run away together to hide, but are found by the town gossip, who brings an angry mob to attack the two girls. They are both arrested, and have to be picked up by their fathers. Ziki can no longer bear to see Kena, and her parents send her to live in London. John refuses to let Kena take the blame for what happened, even though it means forfeiting his chance at winning the election.^[6][7]

A few years later, Kena has fulfilled her dream to become a doctor and gets word that Ziki has returned to town. The film ends just as they are reunited: after all these years their love has not died.^[6][7]

The film is inspired by Ugandan Monica Arac de Nyeko's 2007 Caine Prize-winning short story "Jambula Tree".^[8] The film's title "Rafiki" (meaning "friend" in Swahili) was chosen, because due to homophobia in society, partners in a same-sex relationship often need to introduce their partner as a "friend", even if they are more than a friend.^[9]

It took several years to find funding to produce the film. The filmmakers initially tried to get funding in Kenya, but that was not possible, so they found co-production partners in Europe as well as financing from Lebanon and the United States.^[9] It was produced by Big World Cinema, a South African company.^[10]

Colours played an important role in the cinematography and art direction of the film. The filmmakers wanted to show that Nairobi is a very colourful city, which is why there is a lot of colour in the film. Scenes of intimacy between Kena and Ziki are shown in more tender pastel colours rather than the strong colour contrasts of the other scenes.^[9][11]

The film soundtracks featured several African artists such as Muthoni Drummer Queen, Chemutai Sage, Blinky Bill, Jaaz Odongo, Trina Mungai, Mumbi and Njoki Karu.^[8] The music supervisor and playlist curator was Patricia Kihoro, who also played Josephine.

It was Samantha Mugatsia's first film as an actress.^[12] Kahiu discovered her at a friend's party and asked her to audition for the role, as she had some of the characteristics of the character Kena. Sheila Munyiva had acted in films before.^[5]

Through the film, Wanuri expressed that African art needs to showcase hope and joy rather than hardship, terror and wars. She terms this as Afrobubblegum, and she is a strong advocate for the cultural movement.^[13][14] She also named her own Production Company as Afrobubblegum.^[15][16]

On Metacritic the film has a score of 68 out of 100 based on reviews from 17 critics, indicating "generally favorable reviews".^[17] Additionally, its ratings on rotten tomatoes stand at 96% from 80 reviews.^[18] The film made its Dutch premiere at the International Film Festival Rotterdam in 2019, during its 48th edition.^[19] It also got screened at the Dublin International Film Festival in the same year.^[20]