Read My Lips (Sophie Ellis-Bextor album)

Following the disbandment of Britpop group Theaudience, Ellis-Bextor provided vocals for the song "Groovejet (If This Ain't Love)" by Italian DJ Spiller.^[3] The song was a commercial success,^[4] and Ellis-Bextor signed to Polydor. She was contacted by director Baz Luhrmann, who offered her a role in the 2001 film Moulin Rouge!, but the singer refused in order to focus on her career as a recording artist.^[5] The success of "Groovejet" also prompted American musician Moby to notice Ellis-Bextor, and revealed interest in working with her due to her "amazing" voice, as he described it.^[2] He instructed his record company to "track" Ellis-Bextor "down" so they could start working as soon as Moby finished his tour.^[2] The two ultimately wrote five songs in New York City, which did not make the final cut of Read My Lips.^[5][6] Furthermore, she also recorded with Blur bassist Alex James, as well as former frontman of the New Radicals, Gregg Alexander, while Damian LeGassick was recruited for his programming and keyboard work.^[6]

The album's title was chosen due to the strong lipstick Ellis-Bextor used for the album artwork, the "Take Me Home" music video and "Read My Lips" is sung in the opening verse of the album track "The Universe Is You".^[7] The album photography was shot by Mert Alaş and Marcus Piggot.^[8]

An "eclectic" album, Read My Lips, is a collection of 1980s electronica and 1970s disco.^[5] The album opener and first single is a cover version of Cher's 1979 song "Take Me Home", described as a "disco groove".^[9] Betty Clarke from The Guardian observed that her voice in the song is reminiscent of Audrey Hepburn's Eliza Doolittle (in the film My Fair Lady).^[10] "Move This Mountain", co-written by Alex James, is a "vibrant" ballad with a trip hop-influenced sound.^[9] Following track and second single, "Murder on the Dancefloor", is a dance-pop and disco record, that utilises bass guitar and piano in its instrumental.^[10][11][12] "Sparkle" has "speeding beats and equally speeding keyboards",^[10] while "Final Move" contains "tinny beats" and "electro swirls".^[10] The latter was deemed a "subdued version" of "Murder on the Dancefloor" with "similar kaleidoscope synth".^[13] "I Believe" was described as "funky" and "live-sounding",^[10] while "Leave the Others Alone" involves "cold beats" and "big, full-throttle keyboards".^[10] "By Chance" was particularly noted for showcasing Ellis-Bextor's accent.^[13] Re-release new song "Get Over You" is a "polite" Euro disco take on "I Will Survive".^[14]

Promotion for Read My Lips launched with the release of "Take Me Home", a cover of the song by singer Cher, which was released on 13 August 2001.^[15] Although its production and Ellis-Bextor's vocal performance in the song were heavily criticised,^[16] the single reached number two on the UK Singles Chart.^[17] After the release of the album, "Murder on the Dancefloor" was serviced as its second single on 3 December 2001.^[18] It peaked in the top 10 of the charts in Australia, Austria, Belgium, Canada, Denmark, France, Hungary, Ireland, Italy, Netherlands, New Zealand, Norway, Sweden, Switzerland and the UK.^[19][20] A double A-side single including new re-release song "Get Over You" and original album track "Move This Mountain" was released on 10 June 2002, in a set of two CD singles.^[21][22]

Ellis-Bextor, who had previously felt uncomfortable with the idea of touring, confirmed a UK-only tour in January 2002, which took place from April to May.^[23] Later, in July 2002, other dates of the tour were revealed for 2003.^[24]

More information Review scores, Source ...

Professional ratings

Review scores
Source	Rating
AllMusic	[13]
Entertainment.ie	[25]
The Independent	Mixed[26]
MTV Asia	[27]
Q	[28]
Yahoo! Music	[29]

Close

Toby Manning from Q cited "Take Me Home" and "Move This Mountain" as the album's highlights, but, overall, he thought that the record failed to live up to the standard set by the previous collaboration with Spiller.^[28] He also found that the album's music and the distinctive pronunciation of Ellis-Bextor's vocal delivery did not work to complimentary effect.^[28] Betty Clarke from The Guardian described the album as a "sophisticated package" but said "there's little to love and even less fun to be had".^[10] Kelvin Hayes from AllMusic dubbed it "a disappointing debut from Ellis-Bextor, fusing Human League synth with beats and cinematic strings", but described "Murder on the Dancefloor" as the "shimmering highlight" from the album.^[13] A critic from entertainment.ie said "the material on her debut solo album only rarely does justice to her distinctive upper-crust voice", and said that "most of the songs sound laboured and plod where they should swing".^[25]

In contrast to the previous reviews, Andrew Arora from Blue Coupe had a more positive response to the record. Arora said "it lands somewhere between Pet Shop Boys' synth-pop faculty and Blondie's Parallel Lines album", although he claimed that fans of "Groovejet (If This Ain't Love)" "should not expect much from this album, but it does deliver a dynamic electro disco sound that is sometimes analogous to her breakthrough-hit single".^[9]

Read My Lips debuted at number four on the UK Albums Chart, selling 23,023 copies in its first week. Although the original ten-track edition dropped down and out of the charts over the next few weeks, a twelve-track UK edition, released in December 2001, peaked at number three in January 2002 following the chart success of "Murder on the Dancefloor". Finally, a fifteen-track edition with a considerably revised running order was released in summer 2002 and peaked at number two—41 weeks after the original edition first charted.^[30] The album was certified double platinum by the British Phonographic Industry (BPI) on 21 June 2002.^[31] As of December 2020, it had sold 842,000 copies in the United Kingdom.^[32]

Notes

• ^{^[a]} signifies an additional producer

Credits adapted from the liner notes of the 2002 UK reissue of Read My Lips.