Recife Cinema Festival

The festival was founded in 1997 by the couple Alfredo and Sandra Bertini, who have been the directors since then. Between 1997 and 2008, there have been 1806 films participating^[1] (between competitive applications and national and international invitations) of all types and genres for a public of over 25,0000 people.^{[citation needed]}

The main trophy given by the organization between a specialized and independent judge is designated of Calunga (which is a puppet used by maracatu dancers), for the diverse film categories represented. Also, another important trophy is the Gilberto Freyre, addressed for the feature film that best express the appreciation of Brazilian identity through the concept of racial diversity, that characterizes the Brazilian ethnic formation and culture. Other prizes are given by independent private partners, usually in money, and distributed by the diverse categories.^{[citation needed]}

The festival is held usually between the end of April/May, in the Conventions Center of Recife (CECON). It also includes seminars, workshops, meetings, musicals, arts exhibition, which attract many cinema professionals and/or film lovers, making this festival one of the most important^{[according to whom?]} in the Brazilian film market.^{[citation needed]}

List of current awards and their winners in the 12th Recife Cinema Festival - of the Brazilian Cinema, held in 2008.

• Best Picture - Nossa vida não cabe num opala, (fiction)
• Best Director - Rodolfo Naunni, (for O retorno), (documentary)
• Best Actor - Chico Santana, (for Simples mortais), (fiction)
• Best Actress - Maria Mendonça, (for Nossa vida não cabe num opala)
• Best Supporting Actor - Eduardo Moraes (for Simples mortais)
• Best Supporting Actress - Cleyde Yacones, (for Bodas de papel), (fiction)
• Best Screenplay - Di Moretti, (for Nossa vida não cabe num opala)
• Best Film Edition - Ligia Walker, (for Brizola tempos de luta), (documentary)
• Best Sound Edition - Fernando Manna & Simone Alves, (for Bodas de papel)
• Best Photography - Roberto Filho, (for O retorno)
• Best Original Music Score - Amalfi & Mario Botolotto, (for Nossa vida não cabe num opala)
• Best Art Direction - Mónica Palazzo, (for Nossa vida não cabe num opala)
• Popular Jury Award - Bodas de Papel, (from André Sturm)

• Best Picture - Os filmes que não fiz, (from Gilberto Scarpa), (fiction)
• Best Director - Esmir Filho, (for Saliva), (fiction)
• Best Actor - Jonathan Haagesen, (for Comprometendo a atuação), (fiction)
• Best Actress - Helena Albergaria, (for Um ramo), (fiction)
• Best Screenplay - Leandro Maciel & César Cabral, (for Dossiê rê bordosa), (animation)
• Best Film Edition - Caroline Leone, (for Saliva)
• Best Sound Edition - Aurélio Dias & Leonardo Lette, (for Ocidente), (documentary)
• Best Photography - Lula Carvalho, (for Trópico das cabras), (fiction)
• Best Original Music Score - Claúdio Ferreira, (for Dossiê rê bordosa)
• Best Art Direction - Alonso Pafyeze, (for Os filmes que não fiz)

• Best Feature Film - Amigos de risco, (from Daniel Bandeira), (fiction), PE
• Best Short Film - Miró: Preto, pobre, poeta e periférico, (from Wilson Freire), (documentary from Pernambuco)

• Gilberto Freyre Trophy - Guia prático, histórico e sentimental da cidade do Recife, (from Léo Falcão), (documentary), (PE)