Reclining Figure (Lincoln Center)

Year1963-1965

CatalogueLH 519

MediumBronze

Reclining Figure: Lincoln Center
Facing west

Artist	Henry Moore
Year	1963-1965
Catalogue	LH 519
Medium	Bronze
Dimensions	544 cm × 855 cm (214 in × 337 in)

Reclining Figure (Lincoln Center) (LH 519)^[1] is a statue by Henry Moore. The original two-part bronze statue of a human figure was commissioned for the Lincoln Center for the Performing Arts in New York City, where it has been displayed outdoors since 1965 in a pool of water to the north of the new Metropolitan Opera House. Other copies in plaster or bronze exist, and are displayed in other cities.

Moore received the commission to create a sculpture for a pool of water outside the Lincoln Center in December 1961, with the substantial fee of $225,000 to cover all his costs, including materials, casting and shipping, using funds donated by Albert List and Vera List. The center's architect, Gordon Bunshaft of Skidmore, Owings & Merrill, suggested Moore, but there was resistance from some members of the Lincoln Center Arts Committee. Some objected to the selection of a European sculptor; Newbold Morris, then Parks Commissioner of New York City, described the work as "junk", and wanted it removed.^{[citation needed]}

Moore visited the site in 1962, exclaiming that the pool was as big as a cricket pitch, but declined to create a site-specific work. Instead, the work was based on some exiting ideas from Moore's earlier drawings and maquettes. Moore was attracted by the idea that the work would be reflected in the water, and decided to work on the concept of woman and rock rising from the water. (Meanwhile, back-room negotiations ensured that the Moore sculpture intended for the Lincoln Center would not become overshadowed by prospective Moore commissions for the Seagram Building, at One Chase Manhattan Plaza, and at Columbia Law School, although a cast of Moore's Three-Way Piece: Points was installed at Columbia in 1967.)^{[citation needed]}

Description

The sculpture comprises two elements: one resembles the head and torso of a human figure, and the other can be seen the figure's legs. The torso is a relatively thin slab of bronze, with protruding rounded lumps suggesting body parts, the top terminating at a fin which can be interpreted as the head and which extends down the back of the torso into its backbone. It has no discernible arms, and becomes arched into two parts as it enters the water. It leans towards the second element, which also joins the water with columns separated by an arch. The roughly textured surfaces and other smoothly rounded faces of the second element bear some resemblance to an eroded cliff. Indeed, the art critic David Thompson has suggested an allusion to the arch at Étretat painted by several French Impressionists.^{[citation needed]}

Casts

Moore's ideas for the sculpture may have been inspired by a flint stone,^{[citation needed]} and he probably worked on some early clay or plaster maquettes in 1962 to develop his ideas, although none have been identified from those that survive. Two of the maquettes were increased in scale to create half-size plaster working models, each supported by an armature. Moore worked on the surface of the working models with chisels and other tools. The completed plaster models were painted a dark colour, and placed in a pond at his home and studio at Perry Green, Hertfordshire. Moore selected one working model (LH 518) for the Lincoln Center commission, and the other became Two Piece Reclining Figure No.5 1963-4 (LH 517).

Moore later had two bronze casts made of the plaster working model, measuring 2.35 by 3.72 by 1.65 metres (7 ft 9 in × 12 ft 2 in × 5 ft 5 in). Moore presented one bronze cast to the Tate Gallery in 1978, along with 35 other works. It was included in the exhibition to celebrate Moore's 80th birthday at the Tate that year, on the grass outside the gallery. It has been on long-term loan to Charing Cross Hospital since 1980, where it is displayed in a pool that was created for it. Moore donated the plaster working model to the Art Gallery of Ontario in 1974. A second bronze cast is in the collection of the MIT List Visual Arts Center, mounted on a granite base; it was donated by Vera Glaser List in memory of Samuel Glaser.^[2] A third version is located on Henry Moore’s estate in Hertfordshire, England.^[2]

The working model was scaled up again to create a plaster version of the full-size sculpture. This sculpture was so large that Moore needed a new temporary studio, a metal structure covered with transparent plastic sheeting, to house it while he worked on it. He used the same structure for his largest outdoor works until it became dilapidated and was removed in the 1980s.^{[citation needed]}

After the full-scale plaster model was completed in August 1964, it was cut into pieces to be sent to the Hermann Noack foundry in Berlin, where the pieces were cast in bronze and welded together again to create the completed work. It was shipped on MS Finnclipper in July 1965, and installed at the Lincoln Centre on 21 September 1965.^{[citation needed]}

The 6-short-ton (5.4 t) full-size bronze sculpture (LH 519) is 16 feet (4.9 m) high and 30 feet (9.1 m) feet long, making it Moore's largest work at that date: it was twice the size of his stone UNESCO Reclining Figure of 1958, although his later Large Reclining Figure of 1984 would be 9 metres (30 ft) long.^{[citation needed]}

The work was removed in 2007, to allow the North Plaza at the Lincoln Center to be reconfigured. The sculpture was reinstalled in a smaller pool in 2009, which was named the Paul Milstein Pool in 2011.^{[citation needed]}

v t e Henry Moore
Sculptures	List of sculptures Four-Piece Composition: Reclining Figure Reclining Figure 1938 Recumbent Figure 1938 Reclining Figure 1939 Three Standing Figures 1947 Family Group Reclining Figure: Festival King and Queen Draped Reclining Figure, 1952–53 Large Interior Form, 1953–54 Reclining Figure: External Form 1953–1954 Upright Motive No. 1: Glenkiln Cross Reclining Figure 1956 Seated Woman, 1957 Draped Seated Woman 1957–58 Draped Reclining Woman 1957–58 UNESCO Reclining Figure 1957–58 Standing Figure: Knife Edge Large Torso, Arch Knife Edge Two Piece 1962–65 Three-Piece Reclining Figure No. 2: Bridge Prop Reclining Figure (Lincoln Center) Two Piece Reclining Figure No. 3 Three Way Piece No.1: Points Three Way Piece No.2: Archer Locking Piece Man Enters the Cosmos Two-Piece Reclining Figure No. 9 Nuclear Energy Spindle Piece Three-Piece No. 3: Vertebrae (Working Model) Three Piece Sculpture: Vertebrae Oval with Points Large Two Forms Reclining Figure 1969–70 Two-Piece Reclining Figure: Points Large Arch Sheep Piece 1971–72 Large Four Piece Reclining Figure 1972–73 Hill Arches 1973 Goslar Warrior 1973–1974 Three-Piece Reclining Figure: Draped 1975 The Arch 1979–1980
Assistants	Reg Butler Anthony Caro Robert Clatworthy Phillip King Philip McCracken Bernard Meadows Lenton Parr Ron Robertson-Swann Stephen Walker Richard Wentworth Isaac Witkin
Associated with	Barbara Hepworth Unit One
Supporters	Kenneth Clark
Institutions	Henry Moore Foundation

Reclining Figure (Lincoln Center)

Description

Casts

See also

References

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