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Return of Dragon garnered generally positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average rating of 61, based on 9 reviews.[1]
David Crowley of Vibe praised the more romantic songs off the album for showcasing Sisqó's vocal abilities, concluding that, "Return of the Dragon largely shows Sisqó's growth as a musician and a man. And you don't even need a thong to enjoy it."[9] AllMusic's Jason Birchmeier commended the record's songwriters and producers for crafting a lean track list that offers catchy singles, calling it "an energetic, slick, and stylish album with plenty of subtle sex and overt gloss — everything early-2000s pop listeners demand in their superstars." He concluded that "In short, Sisqó gives you exactly what you want — assuming you liked his debut album — offering a can't-miss collection of should-be hits and even more of his ceaseless crooning."[2] Tom Sinclair of Entertainment Weekly praised the album's mixture of raunchy sex anthems and sensitive love ballads, calling it "a vast improvement over a debut that felt as artistically flimsy as the subject matter of 'Thong Song'."[3] Barry Walters, writing for Rolling Stone, said that despite the commendable efforts of the producers to experiment with R&B instrumentations, they fall under the weight of studio mixing and Sisqó's shortcomings as a lyricist, calling it "a messy album, one that's instrumentally inventive, melodically underdeveloped, vocally overcooked and lyrically just plain lazy."[8] Victoria Segal of NME was critical of the glossy production and so-called romantic lyrics throughout the record.[5] Britt Robson of The Washington Post also gave a review concluding that "Musically, "Return of Dragon" is much stronger than its predecessor. A phalanx of producers (most notably Al West on "Infatuated," Teddy Riley on "Can I Live" and Nathan "N8" Walton on "Last Night") provides catchy, digitized riffs that give the up-tempo tracks the panoramic sheen of a video game. Sisqo lives up to his end of the bargain with a double-threat blend of stirring R&B vocals and sharp rap cadences. The lyrical content of the tunes and the way they are juxtaposed for maximum stylistic contrast throughout the disc, however, are fickle to a fault and laden with superficial sincerity."; Ending with ""Return of Dragon" is practically destined to move millions of units. Sisqo, who in interviews frequently alludes to his blue-collar upbringing, has a right to be proud of that. Yet to all but his most delusional fans, it's a thoroughly impersonal triumph."[10]
