Reversal of Fortune

1990 American legal drama film directed by Barbet Schroeder From Wikipedia, the free encyclopedia

Reversal of Fortune is a 1990 American legal drama film directed by Barbet Schroeder and adapted from the 1985 book Reversal of Fortune: Inside the von Bülow Case by legal scholar Alan Dershowitz.[2]

Directed byBarbet Schroeder
Screenplay byNicholas Kazan
Based onReversal of Fortune: Inside the von Bülow Case
by Alan Dershowitz
Produced by
Quick facts Directed by, Screenplay by ...
Reversal of Fortune
Theatrical release poster
Directed byBarbet Schroeder
Screenplay byNicholas Kazan
Based onReversal of Fortune: Inside the von Bülow Case
by Alan Dershowitz
Produced by
Starring
CinematographyLuciano Tovoli
Edited byLee Percy
Music byMark Isham
Production
companies
  • Reversal Films, Inc.
  • Sovereign Pictures
  • Shochiku Fuji Co. Ltd.
Distributed byWarner Bros. Pictures
Release dates
Running time
111 minutes
CountryUnited States
LanguageEnglish
Box office$15.4 million[1]
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The film dramatizes the case surrounding the unexplained coma of socialite Sunny von Bülow, the subsequent attempted murder trial of her husband Claus von Bülow, and his eventual acquittal, in which Dershowitz served as part of the defense team.[3]

It stars Jeremy Irons as Claus von Bülow, Glenn Close as Sunny von Bülow, and Ron Silver as Alan Dershowitz. Screenwriter Nicholas Kazan originally considered Austrian actor Klaus Maria Brandauer for the role of Claus von Bülow, but Jeremy Irons was ultimately cast.[4]

Irons won the Academy Award for Best Actor at the 63rd Academy Awards for his performance in the film.[5]

Plot

Sunny von Bülow, a millionaire heiress and socialite, lies in a hospital bed in a persistent vegetative state after falling into a coma from diabetic shock on December 21, 1980. She had previously fallen into a coma on December 26, 1979, but had recovered.

Her husband, Claus von Bülow, is charged with attempting to murder her by injecting an overdose of hypoglycemic insulin. During the trial, it is revealed that Claus was having an affair with actress Alexandra Isles and stood to benefit financially if Sunny had died. He is found guilty on two counts of attempted murder.

While Claus is released on bail, he files an appeal and contacts Harvard Law School professor Alan Dershowitz for representation. Dershowitz agrees to take the case only if Claus pays him $300 an hour, as he is simultaneously working to help two young Black men on death row.

As he reviews the case, Dershowitz initially believes Claus is guilty, based largely on the testimony of Maria, the von Bülows’ maid. He is given 45 days to prepare an appeal and assembles a team of law students to assist him.

Dershowitz later learns of David Marriott, a potential witness. At Marriott’s New York apartment, Marriott admits to past involvement in drug trafficking, but Dershowitz considers him unreliable. Meanwhile, Dershowitz’s team discovers that Robert Brillhoffer, the plaintiff’s attorney, had improperly withheld notes that could have supported the defense. They also uncover a magazine interview with Truman Capote, in which he claims Sunny enjoyed mixing drugs and alcohol and had taught herself how to self-inject.

Claus later has lunch with Dershowitz’s team, who question him about Sunny’s earlier overdose on aspirin three weeks before her second coma. Claus is unable to explain what may have motivated a suicide attempt, though he suggests she may have been unhappy. He later admits that he had told Sunny about his affair with Isles during the summer of 1979. After recovering from her first coma, Sunny had reportedly told Claus that he would be better off if she had died.

The defense receives a toxicology report on the encrusted needle, which shows no trace of insulin. Around the same time, Marriott arrives at Dershowitz’s home and claims his earlier affidavit was inaccurate. While secretly recorded, Marriott states that he delivered drugs directly to Sunny on one occasion. He later alters the recording to suggest that Dershowitz agreed to pay him for testimony.

Before the appeal proceeds, Claus recounts the events leading up to Sunny’s second coma, stating that he found her lying face down on the bathroom floor in a cold room with the windows open. Based on this account, Dershowitz begins to believe Claus may be innocent and informs his team that he will seek to overturn the conviction due to insufficient evidence.

After dismissing his class, Dershowitz is informed by his students that they have secured Brillhoffer’s withheld notes and that a jury has overturned two convictions in a related matter. Dershowitz meets Claus at a New York hotel suite and presents the notes, which reveal conflicting circumstantial evidence that could support a second trial defense. Relieved, Claus agrees to pay Dershowitz’s legal fees. Dershowitz tells him that while the outcome is a legal victory, "morally, you are on your own."

Claus is subsequently tried a second time and acquitted, while the two young men on death row remain imprisoned.

Cast

Production

Principal photography took place at a number of historic estates in Rhode Island and New Jersey, with additional interior and exterior filming at the Knole Mansion in Old Westbury, New York.[6]

Courtroom scenes were filmed at the Appellate Division, Second Judicial Department in Brooklyn, New York, which has been used for film and television production due to its functioning courtroom facilities and architectural suitability for legal dramas.[7]

Although the real-life events involving Sunny von Bülow took place at Clarendon Court in Newport, Rhode Island, the film does not use the property as a primary exterior location. Instead, establishing shots feature The Breakers, a nearby Gilded Age mansion built for industrialist Cornelius Vanderbilt II, reflecting the production’s emphasis on visually recognisable Newport architecture.[8]

Reception

On the review aggregator website Rotten Tomatoes, 92% of 53 critics' reviews are positive. The website's consensus reads: "Featuring exceptional performances and a cunning script, Reversal of Fortune doubles as a tantalizing mystery and ruthless satire of the rich."[9] Metacritic, which uses a weighted average, assigned the film a score of 93 out of 100, based on 18 critics, indicating "universal acclaim".[10]

Accolades

More information Award, Category ...
Award Category Nominee(s) Result Ref.
Academy Awards Best Director Barbet Schroeder Nominated [11]
Best Actor Jeremy Irons Won
Best Screenplay – Based on Material from Another Medium Nicholas Kazan Nominated
Artios Awards Outstanding Achievement in Feature Film Casting – Drama Howard Feuer Nominated [12]
Boston Society of Film Critics Awards Best Actor Jeremy Irons Won [13]
Best Screenplay Nicholas Kazan Won
Chicago Film Critics Association Awards Best Actor Jeremy Irons Won [14]
Dallas-Fort Worth Film Critics Association Awards Best Film Nominated
David di Donatello Awards Best Foreign Actor Jeremy Irons Won [15]
Golden Globe Awards Best Motion Picture – Drama Nominated [16]
Best Actor in a Motion Picture – Drama Jeremy Irons Won
Best Director – Motion Picture Barbet Schroeder Nominated
Best Screenplay – Motion Picture Nicholas Kazan Nominated
Kansas City Film Critics Circle Awards Best Actor Jeremy Irons Won [17]
Los Angeles Film Critics Association Awards Best Actor Won [18]
Best Screenplay Nicholas Kazan Won
Nastro d'Argento Best Cinematography Luciano Tovoli Nominated
National Board of Review Awards Top Ten Films 5th Place [19]
National Society of Film Critics Awards Best Film 3rd Place [20]
Best Actor Jeremy Irons Won
New York Film Critics Circle Awards Best Film Runner-up [21]
Best Director Barbet Schroeder Nominated
Best Actor Jeremy Irons Runner-up
PEN Center USA West Literary Awards Best Screenplay Nicholas Kazan Won
Political Film Society Awards Exposé Nominated
Writers Guild of America Awards Best Screenplay – Based on Material from Another Medium Nicholas Kazan Nominated [22]
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In 2015, the 25th anniversary of Entertainment Weekly named Reversal of Fortune on its list of the 25 best films of the past 25 years.[23]

The film is recognized by American Film Institute in these lists:

See also

References

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