Ri Ye Youshen

The concept of the Day Wandering Deity can be traced back to ancient Chinese beliefs in spirits and deities that influenced human fate. In early folklore, the deity was feared as a harbinger of bad luck, and people took precautions to avoid crossing its path. This belief is reflected in the Yuan dynasty play The Story of the Peach Blossom Girl (桃花女) by Wang Ye, in which a character warns, "Today, as she left the house, she encountered the Day Wandering Deity; even if she does not die, she will surely return injured."^[3]

The Classic of Mountains and Seas (山海經), in the chapter Classic of the Regions Beyond the South (海外南經), mentions: "There are sixteen divine beings, linked arm in arm, who serve the Emperor by overseeing the night in the wilderness." This passage is believed to refer to the early depiction of the Night Wandering Deities, who were originally sixteen in number. Over time, this concept evolved, and the sixteen deities were consolidated into a single figure.^[3]

According to folk legends, if a mortal sees the Night Wandering Deity, it is considered an ominous sign. In the Qing dynasty work Strange Tales from the Tea-Drinking Studio (Zuicha Zhiguai) by Li Qingchen, there is a story about a man named Wang who, one night, saw a giant figure three zhang tall (approximately 9 meters). The giant smiled and said, "I am the Night Wandering Deity," before disappearing. A few days later, Wang died without any apparent illness. This tale reflects the belief that encountering the Night Wandering Deity foretells misfortune or death.^[3]