Ria Bancroft

After studying art in Italy, it was only after moving to New Zealand that Bancroft began to focus on her sculpture work. Her work often included religious subjects.^[3]

Bancroft became a member of the Canterbury Society of Arts^[3] and exhibited with The Group^[4][5] in 1963,^[6] 1965,^[7] 1966,^[8] 1967,^[9] 1968,^[10] 1969,^[11] 1973,^[12] 1974,^[13] 1975,^[14] 1976,^[15] and 1977.^[16] In 1964 she was invited to join the New Zealand Society of Sculptors.^[3] During this time she also exhibited with the New Zealand Academy of Fine Arts^[17][18]

After receiving recognition for her work, Bancroft became increasingly involved in art education and delivered a number of talks and lectures. In 1971 she accepted a position as art teacher at Xavier College, a boys' High School. In 1974 she resigned the position to focus on her art.^[3]

In addition to her public works, notable works by Ban include Rocking Horse (1963)^[19] and Unicycle No 2.^[3] Her final piece, a life size portrait of the Russian writer Alexander Solzhenitsyn, was completed in 1992.^[3]

In 1998 the Robert McDougall Art Gallery held a posthumous exhibition of Bancroft's work entitled, Ria Bancroft: Three Decades of Sculpture.^[3][20] A biography of her life, No Ordinary Woman: A Biography of Ria Bancroft, was written by her daughter Peb Simmons and published in 1997.^[21]

Her work is held in the collection of the Suter Te Aratoi O Whakatū gallery^[19] and Christchurch Art Gallery Te Puna o Waiwhetu.^[22]

Bancroft received many public commissions in New Zealand including:

• Horizon – her first major commission, for the Christchurch City Council in 1965, it incorporated in the design of the new 'Horizon' restaurant at Christchurch International Airport^[3]
• Forms – 9-metre-long mural, made in collaboration with Pat Mulcahy, for the Ministry of Works and was incorporated in the design of the University of Canterbury's new Science Lecture Hall^[3]
• mural for the New Zealand Broadcasting Corporation building in Rotorua, created in 1966 in collaboration with Pat Mulcahy^[3]
• a maquette "Angel of St Matthew" – for Saint Matthew’s Catholic Church in 1967^[20]
• the Tabernacle Screen Doors for Christchurch’s Cathedral of the Blessed Sacrament in 1975, opened 12 June 1977^[22][3][23]
• Thy Kingdom Come – commissioned for the Holy Cross Chapel in Christchurch in the 1970s^[3]
• ‘Christus Rex’ memorial cross for All Saints' Church in Dunedin – completed in 1990^[3]

Her work, Energetic Forms, 1965–1966, created with Pat Mulcahy is included in the University of Canterbury sculpture trail.^[24]

In the 1980s she assisted in the refurbishment of St Mary’s Catholic church in New Brighton (where she attended) with sculptor Bing Dawe. In addition to work on the altar, lectern, font, and sanctuary, Bancroft created and gifted a sculpture of the Virgin Mary to the church.^[3]

Artist files for Ria Bancroft are held at:

• Angela Morton Collection, Takapuna Library
• E. H. McCormick Research Library, Auckland Art Gallery Toi o Tāmaki
• Robert and Barbara Stewart Library and Archives, Christchurch Art Gallery Te Puna o Waiwhetu
• Hocken Collections Uare Taoka o Hākena
• Te Aka Matua Research Library, Museum of New Zealand Te Papa Tongarewa

Also see:

• Concise Dictionary of New Zealand Artists McGahey, Kate (2000) Gilt Edge