Ribattuta

The ornament is described by Mattheson (1739),^[2] Spiess (1745),^[3] and Marpurg (1749).^[4]

Frederick Neumann^[5] notes the trill following the dotted preparation is a main-note trill (that is, starting on the written note), and he cautions against use of the term as a general descriptor for dotted alternation as a prelude to a trill.

Italian: ribattuta (f) di gola
German: der Zurückschlag^[6] or der gedehnte oder punctirte Triller (Mattheson)
English: ribattuta
French: ribattuta (f) or tour de gosier (Marpurg) or cadence pleine à progression (Lacassagne)^[7] or double cadence (Bérard-Blanchet)^[8]