Richard Hammond Meets Evel Knievel

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GenreDocumentary
Directed byNigel Simpkiss
Presented byRichard Hammond
StarringEvel Knievel
Richard Hammond Meets Evel Knievel
GenreDocumentary
Directed byNigel Simpkiss
Presented byRichard Hammond
StarringEvel Knievel
Country of originUnited Kingdom
Production
Executive producersBen Gale
Tony Moss
ProducerBen Devlin
Running time59 minutes
Production companyVisual Voodoo
Original release
NetworkBBC Two
Release23 December 2007 (2007-12-23)

Richard Hammond Meets Evel Knievel is a one-off television documentary presented by Richard Hammond and first broadcast on 23 December 2007 on BBC Two.[1]

The documentary is based around the Evel Knievel Days event in Butte, Montana and was filmed four months before Evel's death. The presenter, Richard Hammond, spends four days with former motorcycle daredevil Evel Knievel. Knievel, at age 69 years old, had become very ill requiring an oxygen tank strapped up to him constantly to aid with breathing. 48 hours before the film crew arrived, Knievel had a stroke.[2] At several points during filming, Knievel cuts the interview short and leaves before Hammond finished asking questions.

During the festival, Knievel was meant to lead a bike parade, and invited Hammond to ride alongside him, but he was taken to hospital and was unable to lead the parade. He later showed up at the end of the day. On the last day of the festival fellow daredevil Trigger Gumms completed a jump, a jump twice as long as Knievel's former record. The day after, in the local newspaper, Knievel stated he was not impressed with the jump.

Hammond also conducts interviews with Knievel's former bodyguard Gene Sullivan, former daredevil Debbie Lawler and his former publicist Shelly Saltman, who was assaulted by Knievel in 1977, an attack which destroyed Evel's reputation, his career, and eventually landed him in jail, forcing him into bankruptcy. Strangely, on the final day of filming, Evel asked Hammond to go and view his tombstone.

Archive clips shown during the programme and discussed with Knievel include his jumps at Caesars Palace, Las Vegas, Snake River Canyon, Idaho and Wembley Stadium, London as well as his conversion in the Crystal Cathedral in California. Evel died four months after the show was filmed, one week before the programme was first broadcast.

Knievel is sympathetically but, at the same time, revealingly portrayed as a bitter old man that surely lives up to his legend, showing up for disturbing screenings and even more challenging interviews about his former traumatic failures, despite being ill and in excruciating pain, but displaying nothing more than a grudging attitude. He is reluctant to face the moral challenges that come with re-living his relationships with his family, his "rock star" behaviour patterns and, ultimately, the issue of surviving his career by a lengthy period of time. Knievel's inner controversies are captured in his reluctance to be interviewed by Hammond in the first place, and punctuated by editing and writing of the documentary. Hammond feels somewhat embarrassed to pursue his goal of clarifying the feelings of Evel about his career during the interviews, given the struggle between admiration and ire of being constantly put off by Knievel, and thus gives the viewer even more insight into the Evel's personality and the phenomenon behind his popularity. Finally, the film clearly shows Knievel shutting himself off the BBC filming team, as he finally thanks Hammond in a polite way, but firmly advises him to "get on his airplane and get outta here".

Production

Filming took place on location in Butte, Montana from 25 to 29 July 2007. It can be seen during the programme that Sony DVW-790WSP Digital Betacam cameras were used to provide a widescreen (16:9 aspect ratio) 576i standard definition picture.[3]

The documentary progresses through the five filming days in sequence. Pre-arranged interviews with Knievel and other related persons are combined with archive footage, some of which is also shown to the interviewee. Around this, some coverage of the Evel Knievel Days festival is provided, and the sections are linked together by piece to camera segments by Hammond or shots of Hammond riding around Butte on a rented Harley-Davidson motorcycle with voice-over. Hammond conveyed his thoughts before and after a day's filming in a video-diary style filmed in his hotel room at the Lincoln Hotel.

In an interview with Radio Times, Hammond described himself as being "fascinated, terrified and elated" to be in the company of Evel Knievel. Hammond said that during the filming, Knievel "shouted at me, the crew and the people with him constantly"[4]

Reception

References

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