Boyers began writing for political and literary magazines in 1964, and his early essays and reviews appeared in The New Republic, Dissent,[7] Partisan Review and other periodicals. Over the years he contributed more than 200 reviews and essays to magazines including Harpers, Granta, The Times Literary Supplement, The American Poetry Review, The American Scholar[5] and The Chronicle of Higher Education.[8]
Boyers’ early literary writing was often focused on the work of young writers whose work had not yet been discovered by most of his contemporaries.[9]
Boyers has authored eleven books, including a book of short stories, a volume of personal essays on the fate of ideas, and several works on the politics of novels and novelists. In the 1970s, he wrote three book-length monographs on literary critics: Lionel Trilling,[10] F.R. Leavis,[11] and R. P. Blackmur.[12]
At the New York State Summer Writers Institute each July, Boyers delivered—five nights each week—substantial introductions to writers, with a selection of these introductions published by Ausable Press in 2002 as A Book of Common Praise.[13]
In the 1980s and 1990s, Boyers devoted much of his attention to political issues, and wrote two books on what has been termed "the bloody crossroads," namely on the intersection of politics and the novel. These books were titled Atrocity & Amnesia: The Political Novel[14] and The Dictator's Dictation.[15]
Though he has continued to write literary and cultural criticism, Boyers also published in 2005 a book of short stories called Excitable Women, Damaged Men, discovering there what he called a new freedom and a new voice, which led him to move in a direction he had not anticipated for himself. The stories appeared in periodicals like Yale Review,[16] Harvard Review[17] and Parnassus, and also in the annual Pushcart Prize anthology.[18]
The first of his books with a memoiristic aspect was the 2015 book called The Fate of Ideas, and there, in a lengthy introduction, Boyers describes his book as "sometimes personal, sometimes polemical… not a history of ideas but a series of interrogations". "My objective," Boyers writes, "is to dramatize my encounter with ideas the better to identify what has made them difficult and elusive, sometimes dangerous." Taking on such ideas as authority, beauty, pleasure, "the other," fidelity, realism and judgment, Boyers takes his reader on what novelist Mary Gordon describes as "a dance that is both demanding and exhilarating" in "an elegant and courageous book."[19] His 2019 book, Tyranny of Virtue was reviewed by Kirkus Reviews as "A rousing call for speech on college campuses that is truly free, addressing uncomfortable issues while allowing room for dissent."[20]
The book was published by Scribner in a 2021 paperback edition, with a new afterword, after Boyers had delivered several lectures and interviews based upon the book.[21] Notable among the interviews conducted around The Tyranny of Virtue were hour-long sessions for The New Yorker Magazine (with Isaac Chotiner),[22] for the magazine First Things[23][24] and for some Public Radio Stations.[25]
As editor of Salmagundi for more than fifty years, Boyers has sponsored the work of many leading writers and thinkers and devoted more than two dozen special issues to the publication of conference transcripts on such subjects as "The Clash of Civilizations,"[26] "Race & Racism," "Is This An Age of Museums," "Intellectuals," "Psychological Man,"[27] "Belief and Unbelief,"[28] "Good Art, Bad Art," "Identity," and "The Legacy of the German Refugee Intellectuals."[29] More than a dozen of these special issues were subsequently published as books by Basic Books, Penguin, and Harper & Row.[30] Since 1975 Boyers has edited Salmagundi with his wife, the poet Peg Boyers.
While editing Salmagundi from Skidmore College, Boyers also edited The Bennington Review at Bennington College from 1977 to 1983.
