Rosabel Watson

Watson became interested in music by regularly attending the August Manns concerts at Crystal Palace in the late 1870s. In 1880 she began her professional training at the Guildhall School of Music, studying piano with Lindsay Sloper.^[1] She was described in Etude Magazine as "a first-rate all-round musician and a most capable conductor. She is the best woman horn-player in England, and plays the piano and all the stringed instruments extremely well, especially the double bass".^[2]

After graduating Watson was active as a soloist and chamber music musician from the early 1880s. She taught music in schools and composing and conducting theatre music. She performed in and arranged concerts at venues including the People's Palace, Mile End and Toynbee Hall. With her friend the pianist Anne Mukle she worked on philanthropic music and drama productions in one of the poorest areas of London, Bethnal Green.^[3]

In 1911 she was appointed director of music at the Institute School of Music in Hampstead Garden Suburb (founded by social reformer Henrietta Barnett), until it closed down at the outbreak of war in 1914. Henry Wood was president of the school and lectures were given there by Gustav Holst, Frank Bridge and Ralph Vaughan Williams. Cellist May Mukle (sister of Anne and a member of the Aeolian Orchestra) was on the teaching staff.^[3]

In 1886 Watson founded the Aeolian Ladies’ Orchestra, said to have been the first all-female orchestra in the UK.^[4] In her years on the concert circuit she had already worked with many of the leading female musicians of the day, including violinist Kitty Althaus, oboist Leila Bull, the Chaplin sisters (Nellie, Kate and Mabel), Clara Farrow (horn), Catherine Fidler (trumpet), Anna Lang (violin), Constance Moss (trombone), the Mukle sisters (Lilian, Anne and May), Lucy Mumby (bassoon), flautists Anita Paggi and Edith Penville, Beatrice Pettit (cornet) and clarinetist Frances Thomas.^[1]

The orchestra, which flourished in the 1890s and still performed occasionally over the following two decades, employed many of these and other female students and scholars who had trained at the Royal Academy of Music, Royal College of Music and Guildhall School of Music.^[2][5] The orchestra toured nationally - including engagements at the Royal Albert Hall (1896) and in Dublin, and also played at many suffrage gatherings.^[6]

Other women only orchestras of this era included the English Ladies' Orchestral Society, the Haresfoot Ladies' Band, the Lady William Lennox's Orchestra and Mrs. Hunt's Ladies' Orchestra.^[1]