The Independent wrote that "Langley still writes songs as if transposing mid-century English poetry to the rock milieu for the benefit of girls he wants to impress."[4] The Guardian noted that "the Bristol band are so skilled at classy blurred-guitar pop that they can probably turn it out in their sleep (and moody vocalist Gerard Langley sounds as if he did)... With a few exceptions, like the sarcastic 'A Map Below', the thing flows smoothly past without trace."[12] The Daily Breeze concluded that "the band rocks out more effectively than it has since 1990's Swagger album, storming through 'Scared' and 'Dark' with impressive force."[9]
The Gazette determined that Langley "has a Celtic earnestness in 'Scared', a roll call of relationship fears that works because it's true, but otherwise his urgency sets off alarms all over pretension police HQ."[13] The Vancouver Sun thought that "Blue Aeroplanes play truly psychedelic music ranging from free-jazz sax skwonkings to shimmering guitars like spider-webbing made from sugar-water and dulcimer/psaltery Old World picking."[14]
AllMusic wrote that "the mix of relaxed, easy-going vibes and electric rush otherwise generally carries the album, with strong examples of both tendencies easily evident."[7]
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