Royal Academy Exhibition of 1902
From Wikipedia, the free encyclopedia

The Royal Academy Exhibition of 1902 was the hundred and thirty forth annual Summer Exhibition of the British Royal Academy of Arts which was held at Burlington House in London's Piccadilly from 5 May to 4 August 1902.[1] It marked the first full exhibition of the Edwardian era, as the previous Exhibition of 1901 had been overshadowed by mourning for Queen Victoria.
A centrepiece of the exhibition was the Coronation Portrait of Edward VII by Luke Fildes which showed the new monarch in his full regalia and had been painted during the winter months. The slightly delayed Coronation of Edward VII and Alexandra took place on 9 August, just after the Exhibition had closed.[2] Another well-received painting of the king displayed was The Reception of the Moorish Ambassador by Edward VII at St James's Palace by John Seymour Lucas.[3]
In general, the exhibition was noted for its portraiture, which was seen to return to the dominance it had shown during the eighteenth century and Regency era. In particular John Singer Sargent displayed eight portraits. These included The Acheson Sisters and Lord Ribblesdale. It was the last time works by the animal painter Thomas Sidney Cooper featured. He had displayed paintings at the Royal Academy for seventy consecutive exhibitions since the Royal Academy Exhibition of 1833.[4]
Alfred Munnings displayed his breakthrough work The Vagabonds, later described as his magnum opus. [5] Walter Langley of the Newlyn School of artists displayed A Cornish Idyll.[6] The veteran of the Victorian era William Powell Frith displayed a genre painting In the Conservatory.[7]
Portraits
- The Reception of the Moorish Ambassador by Edward VII at St James's Palace by John Seymour Lucas
- A Cornish Idyll by Walter Langley
- A Venetian Water Seller by Henry Woods
- Chadding in Mounts Bay by Stanhope Forbes
- Off for the Honeymoon by Frederick Morgan
- The Missal by John William Waterhouse
- Bolton Abbey by David Murray
- A Deep Sea Idyll by Herbert James Draper
- Aphrodite by Briton Rivière
- The Last Ray by George Dunlop Leslie
- In Suffolk Marshes by Ernest Albert Waterlow
- Washington's Farewell to the Army by Andrew Carrick Gow
- Absence Makes the Heart Grow Fonder by Marcus Stone
- Forget Me Not by Arthur Hughes
- Homewards by George Clausen
- Market Morning by Yeend King
- Hera in the House of Hephaistos by William Blake Richmond
- Salmon Fishing on the Dee by Joseph Farquharson
- Through the Crisp Air by Joseph Farquharson
- The Run Home by Henry Scott Tuke
- An idyll of Como by Alfred East
- The Valley of the Lambourne by Alfred East
- Sleeping Nymphs Discovered by a Shepherd by Robert Fowler
- George II at the Battle of Dettingen by Robert Alexander Hillingford
- La Belle Dame sans Merci by Frank Dicksee
- Watching the Invaders by Hubert von Herkomer
- The Borgia by William Quiller Orchardson
- Paolo and Francesca by Christopher Williams
- Portrait of Ellen Peabody Endicott by John Singer Sargent
- Portrait of Alfred Wertheimer by John Singer Sargent
- The Misses Hunter by John Singer Sargent
- Portrait of the Duchess of Portland by John Singer Sargent
- Portrait of Matilda Hirsch by John Singer Sargent
- Portrait of Lady Lady Meysey-Thompson by John Singer Sargent
- Portrait of Nellie Melba by Rupert Bunny
- Portrait of Lady Marjorie Manners by James Jebusa Shannon
- Portrait of Lord Egerton by Hubert von Herkomer
- Portrait of Henry Trueman Wood by Hubert von Herkomer
- Portrait of Richard Pilkington by Arthur Stockdale Cope
- Portrait of Joseph Cockfield Dimsdale by Arthur Stockdale Cope
- Portrait of John Leng by William Quiller Orchardson
- Portrait of William Holman Hunt by Ralph Peacock
- Portrait of Blanche Marchesi by Solomon Joseph Solomon
- Portrait of Phil May by James Jebusa Shannon
- Portrait of Francis Charrington by Henry Tanworth Wells
- Portrait of Edwin Grove by Henry Tanworth Wells
- Portrait of James Bell Pettigrew by Walter William Ouless
- Portrait of Lilian Braithwaite by Charles Sims
- Portrait of Mrs W. K. D'Arcy by Frank Dicksee
