Rule 34 (film)

Development

Rule 34 is the third feature film by Brazilian director and screenwriter Julia Murat. The film's title refers to the so-called Rule 34, an Internet maxim which asserts that Internet pornography exists concerning every conceivable topic.^[3] The project was part of the 2019 Berlinale Co-Production Market.^[4] Murat wrote the screenplay along with Gabriela Capello, Rafael Lessa and Roberto Winter.^[1]

Filming

Filming took place in 2019. However, the pandemic caused a 10-month delay in post-production. Lacking the funds to complete the film (due to the cessation of cultural funding under former President Bolsonaro), Murat received a grant in July 2021 as part of the Gothenburg Film Festival.^[4] Funding was provided by the festival's Audiovisual Fund, set up at the initiative of the Swedish government to protect democracy around the world. The film was also funded by FSA and Visions Sud Est.^[1][5]

Critical response

Independent Swiss journalist Michael Sennhauser described Rule 34 as "a playful, cleverly argued film with a clear provocative twist" and commented that, as with the competition entry Tengo sueños eléctricos, which received three awards in Locarno, the film "clearly plays a role" that there is a female director behind the work. "Precisely because it [the film] moves in this area where personal freedom only works as long as they mutually agree that encroachment is negotiable", stated Sennhauser.^[3] Neil Young of Screen Daily dubbed it a "surprise winner". It is "a fascinating and ambitious third feature film" and "a sensual, intimate character study" by Murat. Newcomer Sol Miranda put on a "strong central performance" by a "multifaceted black woman [...] in bustling Rio de Janeiro." With her play, she penetrates the didactic tendencies of the screenplay and the theoretical treatises disguised as dialogue. Young, however, criticized the "stylistically conventional" images by cinematographer Leo Bittencourt in comparison to the red-hot topics dealt with, which are kept "pervasively flat in TV style" and would therefore hardly lose their impact on the small screen. Lead actress Miranda shows a "convincing range of emotions" and the close-up is reminiscent of Greta Garbo in Queen Christine (1933), Bob Hoskins in The Long Good Friday (1980) and Mia Farrow in The Purple Rose of Cairo (1985).^[1] The French newspaper Le Monde called the film "a complex, powerful and sensual portrait of a woman, the like of which has rarely been seen in cinema".^[11]

Accolades