Saints and Villains

Saints and Villains recreates the life and martyrdom of German pastor and theologian Dietrich Bonhoeffer, who participated in a plot to kill Hitler and was executed at Buchenwald in the waning days of World War II.

Raised in a privileged, upper-middle-class German family at the beginning of the 20th century, Bonhoeffer is a sheltered and dreamy loner, indulged and protected by his family. After failing to develop as a musician, he turns to theology, initially as an academic pursuit, not a spiritual calling. His studies lead him to Union Theological Seminary in New York, where he meets Reinhold Niebuhr and social activist Myles Horton. He befriends an African American student, Fred Bishop, who introduces him to the endemic racism in the United States, and takes him to visit both Harlem and Appalachia, where he witnesses racism and poverty first hand. The most impactful of these experiences is the Hawks Nest Tunnel Disaster of 1927, in which hundreds of mostly Black men mysteriously die after being pulled off bread lines to help dig a tunnel. Bonhoeffer disguises himself as a worker, actually and symbolically stripping himself of all articles of selfhood: He must hide his glasses, pretend to be mute because he has an accent, and don ragged clothes to fit in. This sense of being depersonalized foreshadows what happens to Jews in Germany upon his return.

Bonhoeffer returns to Germany, and soon after, Hitler and the Nazis come to power. When attacks on Jews became open public policy after the Reichstag fire of 1933, Bonhoeffer's writings and sermons take on an increasingly anti-Nazi tone. When the Nazis set up a state church, he helps found another pastoral movement in opposition, and speaks as a representative of that movement at the 1936 Olympics.

As the Nazis become increasingly violent, anti-Semitic and anti-intellectual, Bonhoeffer feels compelled to act. He takes a job as a low-level military intelligence agent in the Abwehr, working with a group of upper-echelon Nazi officials who plot to kill Hitler. He uses his position to gather counterintelligence and to help Jews flee Germany. Bonhoeffer struggles with the moral dilemma of justifying taking one life to save others. In April 1943, Bonhoeffer is arrested and imprisoned. There, he faces the interrogator Bauer, who mocks his faith, and is a foil for all Bonhoeffer's doubts and moral quandaries.

Bonhoeffer spends the rest of the war in jail, and as the war nears its end, his fate hangs in the balance—will he be saved by the approaching Allies? However, he is hanged in April 1945, only a month before Germany's surrender.

Giardina had ruminated on Bonhoeffer and his work for some 20 years, ever since her mentor in the Episcopal church first gave her a book of his writings. The novel dwells upon moral decisions, most notably the acceptability of sin if the sin will prevent a greater evil.^[3] Giardina immersed herself in Bonhoeffer's life, attracted to the story because of the ambiguities of the situation. Grappling with the moral and theological struggles in the book also brought Giardina back to her church, in a journey to "live in God" that culminated with her being re-ordained in 2007, having left the church year earlier due to conflicts over miners' rights. The novel is her first narrated in the third-person. In a mirror image of her experience with her earlier novel, Storming Heaven, she began it in the first-person, and junked the first 50 pages in order to start over. She also decided to shift from past to present tense for the book's final scenes, adding suspense to the question of whether the imprisoned Bonhoeffer would be freed by the advancing Allies.

The title was suggested to her by a friend who saw the following quote from Bonhoeffer on Giardina's refrigerator:

Today there are once more saints and villains. Instead of the uniform grayness of the rainy day, we have the black storm cloud and brilliant lightning flash. Outlines stand out with exaggerated sharpness. Shakespeare’s characters walk among us. The villain and the saint emerge from primeval depths and by their appearance they tear open the infernal or the divine abyss from which they come and enable us to see for a moment into mysteries of which we had never dreamed.

Giardina also used lines from Mozart's Mass in C Minor to frame Bonhoeffer's saga and Germany's slide into Nazism and war. The music's liner notes helped her focus on the character of SS officer Alois Bauer, a music lover who serves as Dietrich's doppelgänger and is a composite of Bonhoeffer's real interrogators. Acknowledging a touch of authorly revenge, Giardina bestowed on Bauer the same surname as the New York Times reviewer who gave her book Storming Heaven its only prominent negative review. Another character invented by Giardina is Fred Bishop, a black minister studying with Bonhoeffer at New York's Union Theological Seminary. Bonhoeffer visits him in Charleston, Giardina's home town. Giardina has written in the past of the Appalachian mining wars, and used this catastrophic event to foreshadow the even more catastrophic Holocaust.^[4]