San Rossore Reliquary

The work marks a clear break with the previous medieval tradition of the production of reliquaries. The sculpted saint is very far from the hieratic and metaphysical typification that a devotional object traditionally required, being worked as a realistic "Roman-style" bust, that is, like ancient statues. Some details are selectively taken up from ancient portraits, such as the definition of the short beard with engraved dashes, as in the Roman portraiture of the third century. The face has strong and expressive features, which may lead to the assumption that it could be a portrait or even a self-portrait. In reality, the sacredness of the object makes these hypotheses rather unlikely. Indicated by the saint looking down the reliquary was meant to stand somewhere higher up, where it was safe from theft.

• Anita Moskowitz, "Donatello's Reliquary Bust of Saint Rossore", The Art Bulletin, Vol. 63, No. 1 (March, 1981), pp. 41–48. Available online as pdf
• Rolf C. Wirtz, Donatello, Könemann, Cologne 1998. ISBN 3-829002440

Wikimedia Commons has media related to Saint Lussorio bust by Donatello.

• Reliquiario di san Rossore on the Italian Wikipedia, that shows (restricted to Italy) a series of older black and white photographs with views of the bust from all sides.