Scream (Chris Cornell album)

Recording history

With the idea of remixing songs from his previous album Carry On (2007), Cornell first came into contact with Timbaland.^[2] However, the collaboration evolved into the duo writing and recording an entire album in just six weeks, notably with the conceptual direction of "tying it all together musically", which Cornell describes as "[harkening] back to albums that I listened to when I was a kid, where the music never stops" and that it "begs to be listened to on headphones all the way through".^[2]

Musical style

Billboard reported that Scream shows Cornell moving "in a much more pop-oriented direction, with busy drum machine beats, buffed-up chorus vocals and string samples filling the nooks and crannies", comparing it to Gnarls Barkley and less that of "the guitar-driven music of Cornell's past with Soundgarden and Audioslave". Despite the controversy caused by teaming up with Timbaland,^[3] Cornell insisted that he still played an integral part of the album's creation and didn't do what "Timbaland told me to do," further noting that they "didn't really have that relationship" and "it wasn't that type of a process. It was more, he would bring in a beat, an idea, I would write to it and sing it, and we would move on kind of to the next thing."^[3]

Describing the album as a whole, Cornell compared it to Pink Floyd's The Dark Side of the Moon and Queen's A Night at the Opera, citing the psychedelic elements that Timbaland brought into the production.^[4]

In the U.S., the album debuted at number 10 on the Billboard 200 and thus became Cornell's first top 10 solo album. The next week it dropped 55 places to number 65, which was the largest second-week drop for a top 10-debuting album in two and a half years.^[16] It spent 10 weeks on the Billboard 200.^[17]

Initial critical response towards the release was mixed to negative. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has received an average score of 42, based on 19 reviews.^[5] Scream received positive reviews from Entertainment Weekly and Hot Press who felt that the collaboration between producer Timbaland and Chris Cornell worked.^[5] The mixed reviews were more prevalent, with Spin stating the album was "strangely appealing in its elaborately empty efficiency", while Billboard noted that "sometimes it's good bizarre. Other times it's bad bizarre."^[18] Rolling Stone wrote that Scream "veers between drab–sleek and rock–dude soulful; Cornell's yowl never sounds at home".^[5] Among the negative reviews, Allmusic wrote that "Scream is one of those rare big-budget disasters, an exercise in misguided ambition that makes no sense outside of pure theory."^[19]

Nine Inch Nails creator Trent Reznor attacked the album, suggesting on Twitter that Cornell had "embarrass(ed)" himself.^[20] Reznor regretted his comments, writing an apology email to Cornell when both Nine Inch Nails and Soundgarden announced a co-headlining tour.^[21]

After Cornell's death, Timbaland said that Cornell was “One of the best I've worked with“ and singled out Scream as “One of my favorite albums I was honored to work on.“ He later added: “It was an honor creating this Classic with Chris Cornell“^[22][23]

Summarize Fact Check

Songwriter credits adapted from the liner notes of the album. Songwriters for the bonus tracks can be found in the ASCAP database.^[24]

Bonus tracks

More information No., Title ...

No.	Title	Writer(s)	Additional production	Length
15.	"Ordinary Girl" (Availability: iTunes US and UK)	Cornell Harmon Mosley	Co-produced with Ryan Tedder	4:33
16.	"Lost Cause" (Availability: iTunes UK, Barnes & Noble)	Cornell Harmon Mosley Washington		4:20
17.	"Do Me Wrong" (Availability: Amazon.com and Japanese editions.)	Cornell Harmon Mosley	Co-produced with Ryan Tedder	2:54
18.	"Stop Me" (Availability: Verizon Wireless – Blackberry Storm exclusive,[25] Rhapsody digital-download service)	Harmon Mosely James Fauntleroy	Co-produced with Ryan Tedder Backing vocals: James Fauntleroy	3:34

Close

There are currently two Scream tracks that have had "rock versions" of them released. The first being an alternate version of "Long Gone", produced by Howard Benson,^[26] which was accompanied by an official music video directed by DJ Skee's Skee.tv.^[27]

The second track to come to light was a "rock version" of "Never Far Away". This version was not a remix, but a completely new recording, produced by Jordon Zadorozny. It has yet to be released for purchase, but has been, with permission from Cornell himself, made available for streaming by Alan Cross.^[28] In October 2009, it was reported that Cornell was working with Jordon Zadorozny and Michael Friedman to rework the entire Scream album but then Chris rejoined Soundgarden.^[29] No further development on the project had been made between Cornell rejoining Soundgarden and his death on May 18, 2017.