The Orange County Register wrote that "while the flamenco-meets-techno element is still evident, this album is not even particularly danceable in parts, but the sound is now warmer, more lyrical and more melodic."[3] The Evening Post dismissed "the loquacious Latino wailings and hobbled flamenco" as "glum revisitations of their earlier efforts—Suave Suave without the stomp and Fiesta Fatale minus its primal burn."[4] The Knoxville News Sentinel concluded: "The album is monochromatic and derivative. Zundel only shows imagination in his exploitation of flamenco guitar, and he uses that gimmick ad nauseum [sic]."[5]
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