Senusret III

Children with unknown spouse(s)

• Amenemhat III (died c. 1814 BC): His successor^[4]

Possible children

• Sithathor
• Mereret: Her tomb was found partly robbed but a pectoral of Senusret III was missed by the tomb robbers.
• Menet
• Senetsenebtysy

Accession

Senusret III succeeded his father Senusret II upon the death of the latter. There are no evidence, such as double-dated stelae, indicating a coregency between the two. Thus, Senusret III would have had his accession year (Year 0) for the remaining months and days of regnal Year [19] of Senusret II, and formally started his Year 1 on I Akhet day 1 (New Year).

Constructions

Qantir

At Qantir, blocks from a doorway was found (in a secondary context?).^[11]

Levant

During the reign of Sensusret III, the Egyptians were active along the Levantine coast and inland in the Southern Levant. The relations to local lands and peoples were based on trade and military campaigns. One campaign may have occurred around Year 16 (see stela below: Nubia).

Nubia

During the 12th Dynasty, Nubia had been a region into which the great kings could expand their territory and secure resources. The reign of Senusret III was characterized by several military campaigns in Nubia and development of fortresses to secure the region (cf. the reign of Senusret I). Such was his forceful nature and immense influence that Senusret III was worshipped as a deity in Semna by later generations.^[14]

He pushed his expantion into Nubia where he erected massive river forts including Buhen, Semna, Shalfak, and Toshka at Uronarti. He carried out at least four major campaigns into Nubia in his Years 8, 10, 16, and 19.^[15]

Year 8 | His Year 8 stela at Semna documents his victories against the Nubians, through which he is thought to have made safe the southern frontier, preventing further incursions into Egypt.^[16]

Year 16, III Akhet | At Semna a great stela is dated to the third month of Year 16 of his reign mentions his military activities against both Nubia and Canaan. In it, he admonished his future successors to maintain the new border that he had created:

Year 16, third month of winter: the king made his southern boundary at Heh. I have made my boundary further south than my fathers. I have added to what was bequeathed me. (...) As for any son (i.e., successor) of mine who shall maintain this border which my Majesty has made, he is my son born to my Majesty. The true son is he who champions his father, who guards the border of his begetter. But he [who] abandons it, who fails to fight for it, he is not my son, he was not born to me. Now my majesty has had an image made of my majesty, at this border which my majesty has made, in order that you maintain it, in order that you fight for it.^[17]

Year 19 | His final military campaign, which was in his Year 19, was less successful because the king's forces were caught due to the Nile being lower than normal. They had to retreat and abandon their campaign in order to avoid being trapped in the hostile Nubian territory.^[18]

Semna Boundary Stela

In Nubia, the region of Semna had been established as a fortified area in the reign of Senusret I. One of the three forts of Semna, known as Semna-West was where king Senusret III formed the stela known as the Semna Boundary Stela of Senusret III.

One of Senusret I's major achievements was the conquest of Lower Nubia, which was later consolidated by Senusret III. In general in ancient Egypt, boundary stela served the purpose of demarcating territorial lines, acting as a notice that the demarcation was to be enforced.^[19] When Senusret III built various fortresses along the Second Nile Cataract as a militant frontier guard against the Kerma kingdom, he also constructed two monumental stela at the forts of Semna and Uronarti. The stela reiterated Egyptian dominance over Nubia and called for future authorities to preserve the boundary.^[20]

The stela was discovered in 1845 by German Egyptologist Karl Lepsius.^[21] The text clearly reinforces Senusret III's expansionist policies.^[22] The stela was replaced during the 18th Dynasty to be incorporated into shrines for mortuary cult worship.^[23]

An English translation of the central text of the Semna Boundary Stela of Senusret III:^[24]

His Majesty established the southern border at Heh.
I established my border further south than my forefathers.
I added to what was bequeathed to me. I am a king who speaks and acts.
I make happen what I conceive, eager to seize, hasty to succeed, in whose heart a matter doesn't slumber, anticipating inferiors, suppressing mercy, merciless to the enemy who attacks him, who attacks one who would attack, who is silent when one is silent, who replies to a matter as befits it.
For to be idle after an attack is to strengthen the heart of the enemy.
Aggression is valour and retreat is cowardice.
Who is driven from his border is truly a coward.
For the Nubian listens to the word of mouth. Answering him is making him retreat.
If one acts aggressively towards him, he turns his back.
Retreat, and he will take occasion to act aggressively.
For they are not respectable people. They are wretches with broken spirits.
My Majesty has seen them; it is no lie. I captured their women, I carried off their underlings, went to their wells, drove off their bulls, tore out their barley, set fire to it. As my father lives for me, I speak truthfully, there is no boast that comes from my mouth.
As for any son of mine who shall maintain this border that My Majesty established, he is my son, born to My Majesty. It befits a son that he be the champion of his father, and maintains the border of his begetter. As to him who shall lose it, who shall not fight for it, he is not my son, he was not born to me.
Now, My Majesty had a statue of My Majesty made at this border that My Majesty established, so that you may be persistent at it and that you may fight for it.

Worship

The "Cycle of Songs in Honor of Senwosret III" is a series of 6 songs as part of the archive of papyri from Illahun. It is suggested by Adolf Erman that they were written and composed for the king in a town south of Memphis. The songs outline the responsibilities of the king and embody kingship ideology in the Middle Kingdom.^[25] This ideology includes protecting the unity of the two kingdoms, extending the borders of Egypt, striking fear in Egyptian enemies, and ensuring the success of his subjects.^[25] Though there is not a strong difference of hymns to living kings or dead kings, there is indication that these hymns were to be sung by the king's subjects while he was alive. A hymn reads "may he live for ever and eternity."^[26] He was often compared to Sekhmet in the hymns because of his iron fist and conquering of enemies. The hymn excerpts of the "Cycle of Songs in Honor of Senwosret III" that associate Senusret III with Sekhmet are:

He who fires an arrow as Sekhmet does,
he fells thousands of those unaware of his power
The tongue of his Person is the restraint on the Bow-land
and his commands are what set the nomads to flight
...
How great is the lord for his city! indeed he is Sekhmet against the enemies who tread on his border

Clearly, the identities of the Sekhmet and Senusret III are repeatedly juxtaposed. The cult of the king after his passing lasted for roughly 300 years at South Abydos.

Succession

Pyramid

Senusret's pyramid complex was built north-east of the Red Pyramid of Dashur.^[38] It far surpassed those from the early twelfth dynasty in size, grandeur, and underlying religious conceptions.

The complex of pyramids was constructed in 2 phases. Originally, it was designed to follow Old Kingdom pyramids which included the structure itself, an eastern pyramid temple, and a stone wall encircling the complex.^[39] The second phase included an outer brick wall which was surrounded by 6 smaller pyramids for the royal queens.^[3] There is also an underground gallery with further burials for royal women. Here were found the treasures of Sithathor and queen Mereret.^[3] The final, seventh, pyramid served as the king's ka pyramid with a statue of himself inside for worship. There was also a southern temple, however this has since been destroyed.^[40]

The base of Senusret's pyramid is 105 meters and is 78 meters high. The total volume was approximately 288,000 cubic meters.^[41] The pyramid was built of a core of mud bricks. They were not made a consistent size implying that standardized moulds were not used. The burial chamber was lined with granite. Above the vaulted burial chamber was a second relieving chamber that was roofed with five pairs of limestone beams each weighing 30 tons. Above this was a third mudbrick vault.^[42]

Tomb at Abydos

There has been speculation that Senusret III was not necessarily buried at his pyramid, but rather in his sophisticated funerary complex in Abydos. Under this interpretation, his pyramid would be a cenotaph.^[1]

The Mortuary Temple at Abydos is 30 meters below the surface and extends below for 180 meters.^[43] It is located on the base of high desert cliffs and is focused on a subterranean royal tomb. Near the site, there is a town that houses administrators and priests dedicated to the cult of the late king.^[44] The mountain where the tomb is located was known as "The Mountain of Anubis" and was used as a conceptual link of Senusret and the gods.^[43] The design of the tomb is likely symbolically representing the descent of the sun into the realm of Osiris.^[45]

Senusret's tomb did not house any funerary goods and was robbed in ancient times, given that tomb robbers dug a tunnel to bypass the blocking system and ripped out the walls of the tomb to find the hidden sarcophagus.^[46] It's currently believed the plundering occurred at the end of the Thirteenth Dynasty.^[47][48] It would later develop into a center for funerary complexes and would include 11 kings whose rules date from the thirteenth century and the Second Intermediate Period.

The construction dates and inscriptions further suggest a coregency between Senusret III and Amenemhat III, according to Josef Wegner and Dieter Arnold. It shows that the construction of the temple was likely finished during the reign of Amenemhet III rather than he ordered the construction.^[29]

Royal statuary

Senusret III is well known for his distinctive statues, which are almost immediately recognizable as his. On them, the king is depicted at different ages and, in particular, on the aged ones he sports a strikingly somber expression: the eyes are protruding from hollow eye sockets with pouches and lines under them, the mouth and lips have a grimace of bitterness, and the ears are enormous and protruding forward. In sharp contrast with the even-exaggerated realism of the head and, regardless of his age, the rest of the body is idealized as forever young and muscular, in the more classical pharaonic fashion.^[49][50]

Scholars could only make assumptions about the reasons why Senusret III chose to have himself portrayed in such a unique way, and polarized on two diverging opinions.^[49] Some argue that Senusret wanted to be represented as a lonely and disenchanted ruler, human before divine, consumed by worries and by his responsibilities.^[51][52][53] At the opposite, other scholars suggested that the statues originally would convey the idea of a dreadful tyrant able to see and hear everything under his strict control.^[54]

More recently, it has been suggested that the purpose of such peculiar portraiture was not to represent realism, but rather, to reveal the perceived nature of royal power at the time of Senusret's reign.^[55]